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La naissance des mutants.
1944, dans un camp de concentration. Séparé par la force de ses parents, le jeune Erik Magnus Lehnsherr se découvre d'étranges pouvoirs sous le coup de la colère : il peut contrôler les métaux. C'est un mutant. Soixante ans plus tard, l'existence des mutants est reconnue mais provoque toujours un vif émoi au sein de la population. Puissant télépathe, le professeur Charles Xavier dirige une école destinée à recueillir ces êtres différents, souvent rejetés par les humains, et accueille un nouveau venu solitaire au passé mystérieux : Logan, alias Wolverine. En compagnie de Cyclope, Tornade et Jean Grey, les deux hommes forment les X-Men et vont affronter les sombres mutants ralliés à la cause de Erik Lehnsherr / Magnéto, en guerre contre l'humanité.
Avis de la communauté (11)
"What would you prefer, yellow spandex?"
Still one of the better superhero movies made... watch the sequels only of you're a die hard Wolverine fan like me...yes..even in yellow spandex
This held up better than I expected. Maybe it's some nostalgia but I still think this is entertaining. I love all the character and their interactions but the story isn't the best and the special effects are dated.
Toad and Sabretooth so annoying and boring.
Very respectable, it’s more of a straightforward science fiction piece and plays it a lot more straight than most comicbook films now. They don’t shy away from the weirdness, but some of the goofier stuff from the comics is toned down to fit with the more realistic vision. The movie works because of the conflict and its characters, it’s a lot more nuanced and interesting than what you’d expect from a film like this. It’s not mindblowing or deep, but the elaborate race metaphor is a really nice touch and elevates the drama. Jackman, Stewart and McKellen are the standouts in a cast that’s otherwise mostly fine to mediocre. I quite like the worldbuilding, it feels very cohesive and there are plenty of stylistic touches to be found in the directing. The action’s fine if a little slow, the practical effects still hold up very well and even a lot of the CGI still looks pretty detailed for the time. As for the negatives, there’s some hokey dialogue here (anything that comes out of Halle Berry’s mouth is unforgivable) and I could’ve done without the brief moments of interpersonal melodrama. Occasionally it relies on tired clichés (e.g. the damsel in distress trope), sometimes it bends the rules of physics, but I don’t think it has any major issues. It’s unlikely to blow your mind, it kinda feels like a test drive, however it’s still pretty decent. 6/10