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Chaplin, mauvais garçon de la ville, est venu se mettre au vert à la campagne. Il y rencontre une gaillarde jeune fille aux manières rurales, Tillie. Il la séduit et la persuade de s’enfuir avec lui non sans avoir dérobé les économies paternelles. Retournés en ville, ils rencontrent son ancienne petite amie. Tous les deux arrivent à dépouiller la pauvre niaise, la laissant sans le sou. Un peu plus tard, apprenant qu’elle vient d’hériter, Chaplin épouse la belle…
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I really want to see a "person falls over" counter for this movie because it probably would be over a hundred
Charlie Chaplin plays a close approximation of his Tramp character in this quick cut of superficial slapstick with an undercurrent of dark humor. I wasn't aware until after the fact that this was actually the very first feature-length comedy in cinematic history, but in retrospect that explains a lot. In some ways the film is downright visionary, but in many others it clearly isn't quite sure what to do with itself. The plot is barely one-note, cyclical and redundant to the end - the same characters keep getting put in the same situations over and over again - which leads me to believe it was just a case of a single-reel premise stretched over the length of a full flick. Chaplin, still discovering his on-screen sea legs, shows a ton of command and potential, but his performance is often raw and uneven. Mabel Normand is adorable as his on-screen counterpart, a fellow con-artist out to get her cut of the riches Chaplin so gracelessly pursues. A curiosity as a vivid piece of living, breathing history, it doesn't have much up its sleeve and really drags despite a very short runtime.