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Une seule rencontre suffit pour changer leur vie.
Cinq lycéens aux personnalités totalement opposées se retrouvent en colle un samedi. Le professeur qui les surveille leur demande à chacun de faire une dissertation de 1 000 mots avec pour sujet : « Qui pensez‐vous être ? ». Au fur et à mesure que la journée passe, ils discutent, se déchirent et finissent par se trouver plus de points communs qu’ils ne pensaient.
Avis de la communauté (11)
Woah, splendid representation of what could happen if you sit down and actually talk to people and about yourself, show interest in a person. What a difference it could make and how people can be influenced. Glad I finally got around to seeing it.
After reading some of the negative comments made about this movie, i decided to make some of my own. Yes, to younger viewers,this movie will appear to be outdated. The only thing "outdated" is the clothing styles and the music. It doesnt matter what year you went to high school or what school you even went to, there will always be a "criminal", a "jock", a "princess", a "nerd", and a "basket case". This movie is the best teenage movie, no matter when you are a teenager!
The most timeless film of the Hughes / Ringwald / Brat Pack era, and clearly the most serious, personal work of the director's career. The Breakfast Club is an up-close, introspective look at five essentially disparate souls who share one cramped Saturday together in detention and, along the way, discover there's much more to their peers than what they wear and who they hang with. Reminiscent of theater, much like the closed-room classic 12 Angry Men, this isn't a flashy picture but it really doesn't need to be. This film rides entirely on the strength of its authentic, revealing dialog and the astonishingly mature, resounding performances of its cast, who contribute many of the sharpest, most memorable lines via ad-lib. It's about trust (or lack thereof), pushing others' buttons, being honest with oneself, testing new boundaries and revealing a shared, deep-seated uneasiness about the perilous approach of adulthood and its inherent responsibilities. Emotions run high at this age, and they respect no class distinctions. The cast may be extremely small, but it delivers across the board; Judd Nelson's damaged loner, Ally Sheedy's bashful antisocial, Anthony Michael Hall's over-stressed bookworm, Emilio Estevez's high-strung jock, Molly Ringwald's pretentious priss. Each role a potential career-maker, and not a missed note in the bunch. It's an existential essential, a notice to uncertain adolescents that somebody understands, and a reminder to their grown-up counterparts that they, too, were once just as troubled.