Chargement...
Chargement...



Danila, mécontent de sa vie dans une petite ville de province, part à Saint-Pétersbourg, rejoindre son frère qui a brillamment réussi dans les affaires. Quand il le retrouve, il s'aperçoit que c'est en fait un tueur à gages.
Avis de la communauté (4)
this is a really good movie, khorosho
Bang average in every respect. Will forget it by tomorrow. 4.5/10
_Brother_ is a striking crime drama that goes far beyond the genre, carrying the weight of an entire era. For many, it stands as Aleksei Balabanov’s best work and is inseparably tied to Sergei Bodrov Jr.’s cult performance — a role that has long since transcended cinema and become part of collective memory. The film captures the turbulent atmosphere of 1990s Russia with a rare mix of honesty and warmth. What makes it powerful is that it does not attempt to tell a story of global politics or the grand sweep of history. Instead, it narrows its focus to one young man — his choices, his contradictions, his search for belonging — and in doing so reflects the uncertainty, desperation, and quiet resilience of the time. Themes of loyalty, brotherhood, and empathy are woven seamlessly into the narrative, giving the film a moral undertone that balances its crime elements. The soundtrack, built around Nautilus Pompilius, functions as more than background music — it becomes the pulse of the film, echoing long after the credits roll. Visually, _Brother_ is deceptively simple yet masterfully crafted. The cinematography avoids excess, emphasizing realism while giving room for quiet moments of contemplation. That stripped-down approach makes its impact even stronger, allowing the emotional and cultural resonance to shine through. Ultimately, _Brother_ is not just a film about crime or survival; it is a portrait of a nation in transition and a generation trying to find meaning in chaos. That’s why it endures, not merely as a movie, but as a cultural symbol.
I very much like this movie.