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Certains le trouvaient drôle… D'autres pas. Beaucoup l'aimaient… Beaucoup non. Mais quoi qu'il fasse… Quoi qu'il nous fasse croire… C'était toujours du spectacle !
La carrière du comique américain Andy Kaufman, mort en 1984 d'un cancer du poumon. Né à New York en 1949, il débute dans de nombreux cabarets avant de se faire remarquer à la télévision dans la célèbre émission « Saturday Night Live ». Il est une des vedettes de la série « Taxi » puis provoque les réactions les plus diverses en montant des spectacles originaux, notamment au Carnegie Hall de New York.
Avis de la communauté (10)
Very beautiful movie, with a high level performance from Jim Carrey ! Here, we love ! <3
Sometimes I tend to forget that Jim Carrey is not only a funny guy but actually a really good actor. Then I watch Man on the Moon and get my mind boggled. I don't think I ever heard of Andy Kaufmann before but every time I watch this movie I feel like I really missed something.
An a bit different biopic about a man I am not old enough to have known when he was alive. I did though research that the, frankly incredible, highlights of his career in showbiz that are depicted in the movie were actually real and that they are depicted quite close to what really happened. A crazy, incredible and sensitive biography about a comedian who was always between beloved or hated, and that was where he wanted to be. Excellent acting performance by Carrey and the rest of the top cast.
Jim carrey at his best
Andy Kaufman, the enigmatic, often inexplicable comic mastermind, gets a glossy Hollywood biopic, complete with a high visibility big-name plunge in the headline role. _Man on the Moon_ gets the optics right, documenting the star’s most memorable gags amongst the din of a cigarette-stained 1970s comedy club (or network studio), and an inspired Jim Carrey clearly spent a lot of time and effort refining Kaufman’s childish charms and odd contradictions. The connecting biographical bits are lackluster at best, though, and the film’s determination to force-feed its own reality-bending meta mechanisms is more trouble than it’s worth. At least the performances are good. Carrey really threw himself into this role, ruffling feathers with his dedication to method acting, and the results are worthwhile. Costars Paul Giamatti and Danny DeVito (who also produced) shoulder their share of the load as caring lifelong co-conspirators; a pair of sharp guys who alternate between blithely pressing buttons alongside the mad genius and being involuntarily pulled in his wake. There’s genuine sweetness in Carrey’s on-screen pairing with Courtney Love, who plays a composite of several Kaufman girlfriends. That’s a range I didn’t realize she had, a tricky mix of her usual no-frills, street-smart bitch and the compassionate soulmate who visibly understands, appreciates and accepts the troubled star in his troubled later life. Director Milos Forman worked with Love three years earlier, in _The People vs. Larry Flynt_, and must’ve seen something in her that the rest of us didn’t. On that note, I was shocked to learn this was directed by the same man who brought us _Amadeus_ and _One Flew Over the Cuckoo’s Nest_. I guess it had been fifteen years since those films and his career was now well into its final act, but still, _Man on the Moon_ feels awfully soft; an incomplete drama at best. For a story with so much real, unique flavor, it’s also dreadfully bland, with a far heavier focus on replicating its subject’s big career moments than understanding his own odd personality. Carrey’s rendition of Kaufman is noteworthy, and Andy’s bizarre comedy portfolio is always worth revisiting, but the film adds nothing to those beats and the original material is better enjoyed on its own.