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Quelqu’un a disparu.
En 1954, le marshal Teddy Daniels et son coéquipier Chuck Aule sont envoyés enquêter sur l’île de Shutter Island, dans un hôpital psychiatrique où sont internés de dangereux criminels. L’une des patientes, Rachel Solando, a inexplicablement disparu. Comment la meurtrière a‐t‐elle pu sortir d’une cellule fermée de l’extérieur ? Le seul indice retrouvé dans la pièce est une feuille de papier sur laquelle on peut lire une suite de chiffres et de lettres sans signification apparente. Œuvre cohérente d’une malade, ou cryptogramme ?
Avis de la communauté (10)
works even better as a rewatch! you truly see the genius of it once you know the ending and can look for clues.
I find the acclaim for this film surprising. I found it to be painfully predicable from very early on, it was practically phoned in, and it made the whole last act just drag on. I got to the point that I'd joined enough dots that I just wanted it to end and it was only Oscar winner Robert Richardson's photography that kept me engaged. DiCaprio was great; once again Scorsese draws out the best in him. There's never a doubt it's a Scorsese film either, but he's taken weaker material and turned it into a better film.
"Which would be worse: To live as a monster, or to die as a good man?" Very touching words ..
"Which would be worse - to live as a monster, or to die as a good man?" A great film noir movie from Scorsese. I like seeing something a little different from him. Leonardo DiCaprio is fantastic, as usual. The story is great and benefits a lot from a rewatch. The island looks great and really creepy.