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Le film qui a engendré un genre.
Django, un homme solitaire traînant un cercueil, débarque dans une région dans laquelle s'opposent brutalement d'anciens Sudistes, les "foulards rouges" sous le commandement du major Jackson et une bande de brigands mexicains pseudo-révolutionnaires menée par le général Rodriguez. Dans un petit village presque abandonné, en quête d'or et de vengeance, Django va s'opposer aux uns et aux autres pour tenter de s'offrir une nouvelle vie.
Avis de la communauté (7)
God, I love this movie. It's nice to settle back to the real Django. Great, now this damn song will be stuck in my head for days again...
How can you rate this anything but a 10 after that ICONIC ending?! "Run of the mill", GTFO
One of the classic spaghetti westerns that lay the foundation to the genre. A must-see for fans.
Exchanging snow for mud. It's good, but worse than the great silence. That gun with infinite bullets. Those scenes like the one with the horse and the coffin really piss me off. Tarantino got ideas from here
Just your run-of-the-mill spaghetti western also-ran, complete with a joltingly simple plot, one-dimensional characters and the worst dubbed dialog this side of Pulp Fiction's basic cable edit. Django himself, an opportunist without much in the way of personality, is only likable in direct comparison to the cookie-cutter roster of villainy he mercilessly cuts down at every opportunity. Even the scenery, which normally delivers a heaping portion of a western's aura and mystique, falls flat in Django. Here the wide-open promise of a broad, sweeping landscape is reduced to dreary patch of mud, a fistful of thin, trail-weary horses and four pathetic, lifeless wooden shacks. If a steady diet of ricocheting bullets, heavy drinking and utterly pointless double-crossery is what you're hungry for, by all means chow down - this is ninety solid minutes of just that with little variation. Those with an appetite for more filling material, on the other hand, should just keep on walking.