Man, I really cannot stand that voice. The skits are awful as well.

This is not for me. It seems to target an American audience although it is shown on Netflix in other countries as well.

Ok, so I recently got done watching The Dana Carvey Show, and a cynic might say something like, "It's just Saturday Night Live on a smaller scale and more bizarre." They'd be missing, of course, that for the era, they were experimenting and pushing boundaries, and throwing people for loops that, in our world of Trump and endless Japanese porn, the idea of plastic nipples breastfeeding animals on a genetically modified president sounds downright playful. But that series had a voice. Michelle has one too, but it doesn't stick out here. What does the "world of entertainment" need? Another "big enough" or "hot 15 minutes" comedian with a show? How many of those are just as confused by themselves as they confuse the audience? (Why with Hannibal Buress anyone?) The over-saturated comedy "special" market used to signify someone has worked for a year or more honing in on their top material, and now every "made-it" comedian has spin-offs and short run series highlighting up-and-coming talent. So here we have a chance to get Michelle Wolf monologues on generally forgettable things for half an episode, and then The Daily Show-adjacent pieces or mild sketch coupled with Not Safe with Nikki Glaser general banter, which itself was like a Love Line knock-off. I get striking while the iron is hot, but advice I've been trying to follow recently, less is more.