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Season 2

Season 2

7.4·7.8Trakt·October 5, 1999·22 épisodes·8h 4min
Épisodes · 22
E1

Special Powers

Casey tries to find the courage to ask Dana out, Isaac's back at work, and Jeremy and Natalie have a fight.

22min·Oct 5, 1999
E2

When Something Wicked This Way Comes

Dana goes to a bachelorette party and has an epiphany, Dan has breakfast with Hillary Clinton, and Isaac brings in a ratings guy.

22min·Oct 12, 1999
E3

Cliff Gardner

The staff are stressed out by Sam Donovan's presence, and things get worse when J.J. stops by to give them notes.

22min·Oct 19, 1999
E4

Louise Revisited

Casey does everything he can to win the Sports Night “Who's Cooler: Dan or Casey?” internet poll. Dana has dinner with an old school friend.

22min·Oct 26, 1999
E5

Kafelnikov

Jeremy readies the show's computer systems for Y2K. Dan meets a woman in a bar, discovering later that she's a psychologist.

22min·Nov 2, 1999
E6

Shane

Casey wants to edit an interview to cast a ballplayer in a more favorable light, Dan has trouble taping a teaser, and The Vatican declares there's no such place as Hell.

22min·Dec 7, 1999
E7

Kyle Whitaker's Got Two Sacks

Jeremy has to fire an intern, and the team covers breaking news of a football steroid scandal.

22min·Dec 14, 1999
E8

The Reunion

Dana's brother comes to visit. Natalie asks Dan to review her audition tape.

22min·Dec 21, 1999
E9

A Girl Named Pixley

It's a very slow news day, Casey goes on a date with a woman named Pixley, and Jeremy is up for an award.

22min·Dec 28, 1999
E10

The Giants Win the Pennant, the Giants Win the Pennant

Dana begins to see the flaw in her dating plan. Dan wants to use Isaac in a feature on the 1951 New York Giants pennant win.

22min·Jan 11, 2000
E11

The Cut Man Cometh

Dan and Casey cover a boxing match. Dan's father visits.

22min·Jan 18, 2000
E12

The Sweet Smell of Air

The show lands an interview with Michael Jordan but there are a few strings attached. Sam returns.

22min·Jan 25, 2000
E13

Dana Get Your Gun

Dan tries to get the night off for a Tom Waits concert. Dana inherits a gun.

22min·Feb 1, 2000
E14

And the Crowd Goes Wild

It's Sam's last day at the show, Jeremy and Natalie break up, and Casey gets his eyes examined.

22min·Feb 8, 2000
E15

Celebrities

Natalie organizes a post-show trivia game but excludes Jeremy, who ends up meeting a woman at a bar.

22min·Feb 29, 2000
E16

The Local Weather

Dan reacts to not making the “100 Most Influential People in Sports” list. Dana goes to church.

22min·Mar 7, 2000
E17

Draft Day: Part I - It Can't Rain at Indian Wells

The team covers the first round of the NFL draft. Jeremy is nervous about Jenny's visit to the studio.

22min·Mar 14, 2000
E18

Draft Day: Part II - The Fall of Ryan O'Brian

It's the second round of the NFL draft. Jenny visits, and Dan and Casey fight.

22min·Mar 21, 2000
E19

April is the Cruelest Month

The network's cutting costs and jobs may be on the line. The staff sit for Passover Seder, and Dan hopes this will afford him the chance to mend a few fences.

22min·Mar 28, 2000
E20

Bells and a Siren

Natalie has a job interview with Saturday Night Live. Dan hires a publicist.

22min·Apr 4, 2000
E21

La Forza Del Destino

Dana meets a man with inside information on the sale of the network. Dan and Casey have a job offer in Los Angeles.

22min·May 9, 2000
E22

Quo Vadimus

Rebecca returns, Natalie and Jeremy rekindle their relationship, and the network is sold.

22min·May 16, 2000
Communauté
7.8
Note Trakt
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3.8KSpectateurs
7.6KCollectés
5Listes

Avis de la communauté (1)

R
rnhaasCritique
Aug 4, 2024

We watched the first season of this show a month ago now, but I didn’t write the review until today because it’s only this week that I finally committed to giving up on the show. So I’m slightly concerned that I won’t remember everything I thought about it when we first began watching it back in February. But, I gave up and it’s only two seasons, which should tell you a lot. Sorkinesque dialogue is now a cliche, and it’s kind of hard to see through that. But I think I can safely say that little on American television sounded or felt like Sports Night when it premiered in the late ’90s, especially sitcoms. We can pick at his tropes all we want, and we can absolutely criticize this show for its supposed progressive bonafides given how horribly a lot of that has dated, but I still think it’s fair to view this show as a landmark in terms of its attention to dialogue, again especially for a sitcom. The other really notable thing is the way it was filmed. I don’t spend a lot of time watching ’90s sitcoms, nor ’90s TV dramas for that matter, but I lived through them, and I cannot remember a show like this, with these long takes and moving cameras. I’m sure there was the odd moment in other shows, especially in the more creative and weird American TV shows of the ’90s. But most American sitcoms were filmed exactly the same way. And most American TV drama was filmed very similarly. This stands out, to put it mildly. And yes, like the dialogue, the walking-and-talking is now a cliche. But it wasn’t in 1998. So, I think, had I watched this in 1998, when it premiered, I might have loved it, especially if I didn’t know anybody else who watched it. (I was that kid.) But now, over two decades later, it’s really, really hard to give it its due. For one thing, this convinced me never to watch The West Wing. This kind of manipulative, preachy moralizing without any jokes? Jesus. Kill me now. Sorkin is trying to be super progressive but, whether the times have changed, or he has just always been out-of-touch, what he thought was progressive in the late ’90s seems horribly dated now. This is particularly true with the “battle of sexes” stuff that dominates so much of the show. Despite having a woman run a TV show on his TV show, so much of this feels like it was written by a man who doesn’t particularly respect (or understand) women. Jenn and I had a conversation about this weeks ago, where I felt like we reached some fundamental insight about why women actors would want to work with him, but I can’t remember the whole thing now. Sorkin is also hilariously confused about the internet and technology. I can only imagine the shit he says in relation to the internet in his more recent shows. I had dialup back then, sure, and there was no Wikipedia, but at least some information was available online. And that brings me to all the little mistakes throughout the show. There are tons of little things that somebody should have caught. I should have made a list back when I was watching the first season, but it felt like at least one silly factual error an episode. I know, I know, it was the ’90s and using the internet to get information was different back then. But I still think it’s reasonable to expect better. So I hemmed and hawed my way through the first season, enjoying how radical the filmmaking must have seemed, impressed by how theatrical the dialogue was (not in the campy sense, but the Theatre sense), and genuinely enjoying the parts where it was focused on people making a sports TV show. But I didn’t like a lot of the interpersonal relationship stuff, with the worst of it being Dan’s pursuit of Rebecca, which is just awful. (And super hilarious given Sorkin’s vision of himself.) I was ready to give up on the show, in fact, but then some strong-ish episodes at the end convinced me to give season 2 a try, despite Jenn’s warnings. But then, we watched two episodes of season 2 and the same problems resurfaced. Also, I was introduced to the stupid plot contrivance that Jenn remembered from season 2 which she had hinted at. That was enough for me and I bailed. But, like I said, it was ages after we started watching by the time we made it this far, so I do feel like I’m forgetting some of what I had to say. Oh well. I don’t know that I enjoyed myself, but I can’t deny it was trailblazing in some ways.