Season 1
Laser Baby's Day Out
Laser eyes plus a cute baby equals an evisceration machine that will melt your heart. Before burning it out of your chest. With her laser eyes.
An Animated Short Where Pissed-Off Supes Kill Their Parents
The title says it all and kinda gives away the ending. Let’s just say it’s cathartic and messy.
I’m Your Pusher
Ripped from the pages of the original THE BOYS comics - Billy Butcher, with Terror in tow, terrorizes a narcotics supplier into spiking a certain supe’s fix.
Boyd in 3D
Social media is a dysmorphic lens that warps how we view ourselves and others and numbs us to what’s truly important in life. This is about that.
BFFS
Inject Compound V and get superpowers. Drink compound V and uh… this happens.
Nubian vs Nubian
Divorce is complicated. Divorce with a kid, even more so. Superheroes getting divorced with a kid who’s determined for that NOT to happen? There will be blood…
John and Sun-Hee
Put on your crying face for this one as an elderly man risks everything to cure his wife’s inoperable cancer.
One Plus One Equals Two
Even a great American hero like Homelander had to start somewhere…
Avis de la communauté (3)
A mixed bag. Similar to shows such as Love, Death, and Robots in the sense that some episodes are great, but others are pretty damn awful. The episodes are short, so even if you dislike the one you're watching, you only have to wait 10 minutes before you're watching something completely different. A fun way to spend a couple of hours.
It could've been a lot better, and some episodes are that good but some episodes aren't on that consistent level. Those episodes drag the show down.
The Boys: Diabolical is a mixed bag of animation styles, but for me only episodes 3, 6, and 8 truly stand out, the rest is negligible. Unfortunately, the weaker entries are not just forgettable but actively bad, amplifying what’s already problematic in the source material: shock and scatology without much narrative substance. I’ve never been a fan of Garth Ennis’ penchant for vulgarity-for-vulgarity’s-sake, and even the strongest episode (3), while more aligned with actual storytelling, leans heavily on excess purely for the sake of impact. The result is loud, crude, and hollow.