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Dziga Vertov

Dziga Vertov

Directing·January 3, 1896·February 11, 195458 years old·Bialystok, Grodno Province, Russian Empire

Dziga Vertov (born David Abelevich Kaufman) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. The independent, exploratory style of Vertov influenced and inspired many filmmakers and directors. The Dziga Vertov Group borrowed his name. In 1960, Jean Rouch used Vertov's filming theory when making Chronicle of a Summer. His partner Edgar Morin coined Cinéma vérité term when describing the style, using direct translation of Vertov’s KinoPravda. The Free Cinema movement in the United Kingdom during the 1950s, the Direct Cinema in North America in the late 1950s and early 1960s, and the Candid Eye series in Canada in the 1950s, all essentially owed a debt to Vertov. In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the 8th best film ever made.

Known For
Filmography · 73
2024The Return of Vertov2019Lluvia de jaulas2017Ziv Zero2009Man with a Movie Camera: The Global Remake2002All Vertovs1966World Without a Game1963The Magic Beam1942For You at the Front!1941In the Area of Height A1938Three Heroines1937In Memory of Sergo Ordzhonikidze1937Lullaby1934Three Songs About Lenin1930Enthusiasm. Symphony of Donbas1930Sound team program No 21929Man with a Movie Camera1928The Eleventh Year1926A Sixth Part of the World1926Stride, Soviet!1925Kino-Pravda No. 23: Radio Pravda1925Kino-Pravda No. 22: Lenin Is Alive in the Heart of the Peasant. A Film Story1925Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About Lenin1924Kino-Pravda No. 20: Pioneer Pravda1924Kino Eye1924Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean1924Soviet Toys1924Kino-Pravda No. 18: A Movie-Camera Race Over 299 Metres and 14 Minutes and 50 Seconds in the Direction of Soviet Reality1924Lenin's Kino Pravda: Truth in Cinema1923First May in Moscow1923Kino-Pravda No. 171923Goskinokalendar1923Kino-Pravda No. 16: Spring Pravda. A Lyrical View Newsreel1923Kino-Pravda No. 151923Give Us Air!1923Kino-Pravda No. 141922Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution1922Kino-Pravda No. 121922Kino-Pravda No. 111922Kino-Pravda No. 101922Kino-Pravda No. 91922Kino-Pravda No. 81922Kino-Pravda No. 71922Kino-Pravda No. 61922Kino-Pravda No. 51922Kino-Pravda No. 41922Kino-Pravda No. 31922Kino-Pravda No. 21922Kino-Pravda No. 11921The History of the Civil War1919Literaturno-instruktorskiy agitparokhod vtsik 'Krasnaia Zvezda'1919The Brain of Soviet Russia1919The Exposure of the Relics of Sergius of Radonezh1919Kino-Week No. 351919Kino-Week No. 341919Kino-Week No. 331919Kino-Week No. 32 (Fragment #1)1919Kino-Week No. 32 (Fragment #2)1919Kino-Week No. 311919Protsess Mironova1918Kino-Week No. 291918Kino-Week No. 281918Kino-Week No. 251918Kino-Week No. 241918Anniversary of the Revolution1918Kino-Week No. 231918Kino-Week No. 221918Kino-Week No. 211918Kino-Week No. 171918Kino-Week No. 51918Kino-Week No. 41918Kino-Week No. 31918Kino-Week No. 11918Kino-week
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