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Raoul and Beatrice’s eyes meet in the Montreal metro. This sets off a chain of events that will affect the whole city. He's a rock star activist on a secret mission, she's a bohemian who wanders the streets at night, handing out books to the homeless. Every Thursday evening, she meets Constance and Eugène in their small candlelit apartment, for their weekly reading ritual. Constance broadcasts her live-sampled, politically conscious sound art on an independent radio station; Eugène has been working on a novel for years, whilst trying to shut himself off from the outside world. The three young friends all dream of their own poetic revolution, inspired by the situationists, on whom Raoul has modelled his persona.
Avis de la communauté (1)
[IFFR'22] A kind of dreamy representation of what art can do for the intellectual revolution, in a technological world in which there is little space for reflection. In this sense, it is also a modern film in terms of the fragmentary superimposition of images. It assumes its condition of artistic militancy that is supported by the most iconoclastic voices of culture that propose a (r)evolution of ideas.