"Tarantula" is another really good '50s Sci-Fi flick. The spider grows to be gigantic and a lot of the time it looks great. Many of the longer shots give the impression that the thing is actually crawling around the desert. But the closer the camera, gets the blurrier the arachnid gets. This isn't entirely about a giant spider, though. The scientists who are to blame for the eight-legged freaks, were so confident in their work that they injected themselves with the nutrient that grew the tarantula. I was thrilled to get a classic reveal of a deformed Professor Deemer. He has his back to the camera late in the movie and when he turns around, we see his grotesque visage. It looks pretty cool and the trumpeting horns of terror that accompany the reveal make it even better. The tarantula is massive by the time fighter jets arrive to try and napalm the critter into oblivion. Even the final shot of the tarantula is impressive for its time. There is a scene near the beginning of the movie that I enjoyed because of how ham-handed it is. Prof. Deemer is checking the progress charts of his lab animals. The charts are shown to us in an over-the-shoulder fashion and are so hilariously simplistic that it has to be one of the funniest exposition dumps of a plot that I've seen. What's even better is when the Professor hangs the charts back on the animals' cages, the charts are clearly not the same ones we just saw. Its funny because it is such an obvious oversight. Regardless of that little detail "Tarantula" is no doubt another classic from Sci-Fi's Nuclear Age.

Boy, does this show its age!* But, you know what, I really enjoyed it. 'Eight Legged Freaks', eat your heart out! I seem to have found a new go-to Spider Rampage Flick™. To be serious, 'Tarantula' achieves what it intends to - it is relatively creepy in parts. The special effects, as alluded to, have aged averagely, but there are still some excellent shots in there. When the spider is in a wide shot it looks very neat, the issues tend to arise when the creature is at the forefront of the shot - which turns into a sharp black-and-white shadow clash. Speaking of the b/w, it is a very dark film visually; especially for the night scenes. The make-up effects look great, either way though. Leo G. Carroll, John Agar and Mara Corday are all good fun in their respective roles, they work well together which is obviously important. Corday oddly reminds me a lot of modern day actress Madelyn Cline - I'm not entirely sure why, I think it's Corday's facial expressions/mannerisms. Clint Eastwood has another small - though, quite the opposite in plot terms - role, this time towards the conclusion. He has a few lines of dialogue, but it's not a role of his that'll live long in the memory. To think, Universal made 7 'Francis' films but produced just one of these. Unfortunate. I'd be up for a remake. * = I'm sure, and I am led to believe, it looked great for the time.

Quick moving giant spider movie with good acting and production values. This is one of those Universal classics and features a "blink and you missed it" cameo by Clint Eastwood in the final five minutes. Clint Eastwood has, in turn, included Mara Corday, the star of this film, in many of his latest films.

A classic. 1950s monster horror at its best. Godzilla goes spider.

Classic Universal monster movie. Special effects helped by their use of a real tarantula in most scenes. Be on the lookout for a uncredited Clint Eastwood flying a plane.