Loading...
Loading...



The serial killer uses the victims to kill victims.
Thrown back into a dusty 1980s and the height of the Iran/Iraq war, the film is a meditation on the cycles of violence and war and their infectious qualities. Clean, architectural sets are washed over by rivers of blood, as historical grievances are played back like excerpts from a documentary.
Avis de la communauté (1)
[PÖFF'21] Wrapped in a symbolic staging, full of interesting ideas, the film talks about the Iran-Iraq war as a representation of many wars in which victims kill victims. There is a successful creation of a nightmare environment, but sometimes the cinematographic springs used are shown empty. It is an abstract work, fascinating from the visual point of view, that is too much recreated in its own aesthetics.