[JFF+ '23] It begins as a film that seems to want to develop a romantic story, but it's revealed as a story about the barriers that are built as a break in dialogue, and about the resistance, perhaps somewhat utopian, of a group of students against the established power. Aya Watanabe's writing proposes reflections on the progressive decline of a society that builds walls instead of destroying them. "In 1989, when the Berlin Wall came down, there were only 16 border walls. Today there are more than 65." And it transmits, from the chaos of the student residence that is intended to be reserved, the spirit of solidarity and community of a non-conformist youth.