I'm pretty sure Hong Sang-soo is Mediterranean and not Korean because his films are all Greek to me. Seriously, I'm more than willing to accept full blame for this and I apologize profusely for not seeing what's so special about this kind of film, but _On the Beach at Night Alone_, _The Hotel by the River_ and now _The Woman Who Ran_ all feel empty to me. It's all the more frustrating because so many people whom I respect love this to death but his work to me is like unseasoned rice that he whipped up at the last minute when he heard I was coming to the cinema. Like I said, however, that's on me. I don't know what I'm missing, but I'm missing it by a mile. Anyway, here's a dry toast to Hong Hang-soo and to those who get him. :champagne_glass:

Before watching yağmur said, "there is only talk, you will be bored," but (the man who finished malcolm and Marie in three days) I had general fun, except for the last 10 minutes. Especially when the visitor men came, I can say that I fell in love with their friends, the attitude of all three was legendary. And finally, let me talk about the beauty of the simplicity of the houses.