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The celebrated story of a man obsessed with ideal beauty.
Composer Gustav von Aschenbach travels to Venice for health reasons. There, he becomes obsessed with the stunning beauty of an adolescent Polish boy named Tadzio who is staying with his family at the same Grand Hôtel des Bains on the Lido as Aschenbach.
Avis de la communauté (5)
The original title of the film is Morte a Venezia.
Absolutely gorgeous film. The parts I saw when I wasn't nodding off, anyway.
The film was really long and dilated, hard to grasp the overall meaning of what was shown, without necessarily much historical accuracy or realism. Of course, everyone would dream such an empty Venice, and the cinematography saved an otherwise too slow film.
There is in this film a look towards death that is sustained in the androgynous symbolism of Tadzio and the decay of the environment (Venice) and of artistic failure (Gustav). It is the idealization of beauty and youth, the fantasy seen from reality (the gaze hidden behind the newspaper). Death that looks at life, the mask that melts in the city of masks. The hope of reaching the unattainable.
Sickness is in health, not sickness and in health.