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There was no answer to why not us
When the night of October 16, 2004 came to a merciful end, the Curse of the Bambino was alive and well. The vaunted Yankee lineup, led by A-Rod, Jeter, and Sheffield, had just extended their ALCS lead to three games to none, pounding out 19 runs against their hated rivals. The next night, in Game 4, the Yankees took a 4-3 lead into the bottom of the ninth inning, then turned the game over to Mariano Rivera, the best relief pitcher in postseason history, to secure yet another trip to the World Series. But after a walk and a hard-fought stolen base, the cold October winds of change began to blow. Over four consecutive days and nights, this unlikely group of Red Sox miraculously won four straight games to overcome the inevitability of their destiny. Major League Baseball Productions will produce a film in "real-time" that takes an in-depth look at the 96 hours that brought salvation to Red Sox Nation and made baseball history in the process.
Avis de la communauté (1)
I hate the Red Sox. I mean, I fucking hate them. Though not as much as I hate the Yankees. But I feel like I remember this series like it was yesterday. (But I more remember where I was than the actual moments of the game.) Among the best baseball playoffs I’ve seen in my adult life. (There have been a few that were better in my mind, such as Diamondbacks / Yankees, but not many.) This was a great series and the film does a good job of getting us to understand how incredible it was, in part by focusing on the players, for the most part. Millar in particular seems to have had boundless confidence and it helps that the players documented it themselves. One huge problem with the film is its self-importance. The opening credits are ridiculous – and rival pretty much only June 17, 1994 in the series for ridiculousness – and the music is often utterly over the top, not to mention cliche, it actually descends into parody. Another weird thing is the teeny tiny bits of Bill Simmons “interviewing” comedian Lenny Clarke, I guess trying to provide context for those who didn’t watch it, but they’re so brief and so intermittent that’s hard to know why they included them instead of, say, narration. (Well, we know why, Simmons is the exec producer. But still…) But this is another one of those films where the subject matter overcomes clunky direction. What a great series.