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A tramp steals a girl's handbag, but when he tries to pick Charlie's pocket loses his cigarettes and matches. He rescues a hot dog man from a thug, but takes a few with his walking stick. When the thief tries to take some of Charlie's sausages, Charlie gets the handbag. The handbag makes its way from person to person to its owner, who is angry with her boyfriend who didn't protect her in the first place. The boyfriend decides to throw himself in the lake in despair, so Charlie helps him out.
Avis de la communauté (1)
One of Chaplin’s less cohesive Essanay Studios comedies, _In the Park_ consists of several recurring vignettes with only the loosest of connections. Charlie thwarts and outmaneuvers a pickpocket. Charlie gets in the middle of an ill-fated romantic afternoon. Charlie deftly lifts samples from a hot dog vendor. Charlie does everything in his power to dodge the gaze of a passing police officer. The humor is effortless - slick and simple hijinks with no deeper motive than doling out more beatings than he receives - but it feels like a step back for the star, who’d been toying with better-connected narrative ideas in his previous shorts. Given the film’s chaotic nature and extra-brief running time (its fifteen minutes wasn’t even enough to necessitate a second reel), I wonder if this was just a quick weekend’s work to fulfill a contractual obligation. Light, silly fun and nothing more.