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Martinaud, an illustrious notary suspected of being the perpetrator of two horrendous crimes, voluntarily agrees to be questioned by Inspector Gallien on New Year's Eve. What initially is a routine procedure, soon becomes a harsh interrogation that seems to confirm the initial suspicions.
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Some films are carried by dialogue and acting so gripping, so razor-sharp, that the mise en scène fades into the background, and Garde à vue is one of them. Ventura and Serrault deliver a masterclass in tension, their face-off hypnotic and relentless. Everything else is stripped down, almost ghostly, so much so that even Romy Schneider feels like an apparition drifting through the fog. A haunting tour de force.