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THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
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I think Chesterton demanded that his name be removed from this atrocity. And he would have been very surprised to learn he was an existentialist, especially as the book predates existentialism.