[Netflix] Raúl/Tony is only understood in its context, in the empty and monochrome streets of the curfew of the Chilean dictatorship, in the representation of the false image, the duplicity of scam. That Alfredo Castro looks more like Al Pacino from "Serpico" than John Travolta from "Saturday Night Fever" is genius, perhaps unintentional. Raw, cruel and violent, that violence that hides to uncover with more fury.