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Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.
Sherman's March
Directed by John Ford
I Am Heath Ledger
The Class of ‘92
Public Speaking
A Decade Under the Influence
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
The Cheshire Murders
McQueen
A Plastic Ocean
In the Realms of the Unreal
Iron Maiden: Burning Ambition