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He has 100 ways to kill... and they all work!
Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.
Avis de la communauté (3)
❤❤❤❤❤❤❤❤ - Excellent film... Fast paced... Always a great performance by Charles Bronson. My rating system works: 10❤- Masterpiece 💯 9❤- Excellent 8❤ - Amazing 👌 7❤- Great 🌞 6❤ - Good 👍 5❤ - Average 🤕 4❤ - Bad but watchable :octagonal_sign: 3❤ - Bad 😭 2❤- Awful :face_vomiting: 1❤ - Bull Shit
This movie is essentially a good action movie, though I cannot help myself feeling that some things are off. The acting performances are mostly without conviction and the story feels a bit artificial. In addition, some elements of the movie have not aged all too well. In the end, a decent action movie, but do not expect too much.
The Mechanic (1972) is a film that demands a second look; while I used to find this rather plodding, always tossed to the side of Bronson favorites, with fresh eyes, and a couple remakes to boot, it’s actually a pretty solid 70s action thriller. Charles Bronson delivers a masterclass in stoic precision as Arthur Bishop, a hitman whose clinical approach to murder feels chillingly authentic compared to the high-octane spectacle of modern cinema. The near-silent, sixteen-minute opening sequence is a bold piece of filmmaking that highlights the movie's patient, cerebral tension. By the time Jan-Michael Vincent enters the fray as the arrogant protégé, the film has evolved into a fascinating, cynical character study that proves its enduring grit.