[CPH:DOX '23] Asif Kapadia's direction stays in long shots to give good visibility to Akram Khan's forceful choreography, but sometimes places the camera behind the wooden beams of the stage, leaving the perspective of the audience behind, uses close-ups to capture the emotional intensity of the performers or shows the inhospitable outdoor setting where the creature is sent as punishment. In this way, the film manages to get rid of the simple visual representation of a dance work to acquire an essentially cinematographic visual texture.