Loading...
Loading...



In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which all involved pushed themselves to the limit.
Avis de la communauté (1)
[Filmin] The recording session for the album of the musical "Company" (1970) that allowed Stephen Sondheim to claim himself as a composer as well as a lyricist. D.A. Pennebaker extracts the effort, sweat and fatigue of a long day, pushing artists like Elaine Stritch to the limit. Far from the usual uniformity, it stops at perfectionism but also transmits the obsession to achieve it.