Rogério Sganzerla
Rogério Sganzerla (1946 — 2004) was a Brazilian filmmaker and one of the main names of the Cinema de Invenção (or Cinema Marginal) underground movement.
Influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, Sganzerla often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics.
Sganzerla was born in Joaçaba, in the state of Santa Catarina, but moved with his family to São Paulo at a very young age, living there for most of his life. During the 1960s he wrote for the newspaper "O Estado de S. Paulo" ("The State of S. Paulo") as film critic, quickly being recognised as a young talent.
O Bandido da Luz Vermelha
Copacabana Mon Amour
A Mulher de Todos
It's All True
Sem Essa, Aranha
O Signo do Caos
Jardim de Guerra
Os Monstros de Babaloo
Glauber o Filme, Labirinto do Brasil
Olho por Olho
Barão Olavo, o Horrível
Documentário