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Vier Außenseiter werden durch ein geheimnisvolles Portal gezogen – mitten in ein skurriles kubisches Wunderland, das von der Vorstellungskraft lebt. Um wieder nach Hause zu kommen, begeben sie sich mit dem Handwerker Steve auf eine magische Reise. Es wird ein Abenteuer, das von allen Mut verlangt – auch den, sich wieder mit den Eigenschaften zu verbinden, die jeden von ihnen kreativ machen.
Avis de la communauté (12)
Guys what a bad movie, have I ever seen a game adaptation be so bad, story? Good Minecraft has a story but it's so soft and short that there's not so much to explore... which wouldn't justify the crap made, the dull jokes, no-salt humor, I thought having Jack Black and Jason Momoa in the cast would be interesting but just disappointments... well, there's not much to say about, yes, the moon and the sun are square. At the point, the only people who will really like it are the kids who begged their parents to go.
I expected the random scenes from trailers to make more sense in the movie.. they didn't. They are just as random in the movie too lol. Actually the entire movie is just random stuff happening. Feels like they gave Jack Black a script that just said "do whatever bro". Not saying it wasn't fun, I had perfectly set my expectations going into this and the first 5 minutes set in stone what they should be. The only downside was there were literally 0 scenes that were new to me. If you closely followed the movie's production with interviews and minecraft live clips and stuff, there was nothing new to be seen here, just the full version of the scenes we already saw the punchline of. My rating is based on the fun factor which should honestly be the standard imo.
While I didn’t really grow up playing Minecraft I still quite enjoyed this nothing too complicated while I get people’s flaws with the story it’s just abit of silly fun really don’t get why people take things so seriously. I thought Jack Black was definitely one of the best things about the film, he feels like the same character in his other films and that’s not a negative for him it’s just the way he acts and talks always have to get his singing parts in too 😂. Jason Momoa was pretty hilarious in this as Garett ,might be my favourite role of his played the Karen character perfectly. Loved the design and all the creatures with me not really growing up with Minecraft I appreciate the detail that went into it. The villain was pretty cool her Guards were pretty useless though lol the voice to the first one sounded like Mr Garrison from South Park😂 The village people were one of the best parts and the zombies the way they communicate is so funny, can’t believe “Stifflers mom” Jennifer Coolidge was in this her going on a date with one of the villagers was a highlight for sure and the end credits scene where they’ve learned each other’s languages ffs 😂 loved that Matt Berry voiced him should of been in the film. Did enjoy this would say it’s probably the funnest movie so far this year. 9/10
This movie was the definition of terrible. It’s 90 mins of god awful cliche plot filled with brainrot. Brainrot alone wouldn’t be so bad, because there was some moments i enjoyed from meme point of view, but the movie trying to be something more than hella long compilation of memes killed it mercilessly. It left me with headache and i needed a few hours to process the reality the same way as before the movie screening. Even Jack Black and Jason Momoa couldn’t in any aspect improve my opinion about this movie.
Turning “Minecraft” into a movie was always gonna be one of the trickiest challenges out there... I mean, how do you adapt a game that’s literally all about freedom, no storyline, and pure player creativity? “A Minecraft Movie” tries to answer that question in a clumsy but oddly charming way: by crafting a narrative that, even though it’s full of stumbles and clichés, ends up finding some personality in the little things—and a bit of fun in its own weirdness. It’s not a total win, not even close, but it’s also far from the generic disaster a lot of people were expecting. And in today’s landscape of lazy game adaptations, that’s already saying something. Jared Hess brings this awkward, offbeat lightness to the film that somehow works better than it should. He injects a specific kind of silly, almost absurd humor that weirdly clicks with the pixelated, blocky world of “Minecraft.” Visually, the movie really respects the game’s iconic look, and Hess seems genuinely interested in finding odd little moments of charm amid the narrative chaos. So even when the story trips over itself (and it does, a lot), you can still feel like someone’s at least trying to do something different—which is more than we can say for most video game movies. Now, the plot... that’s a whole different story. It’s a mess of strange choices. The opening feels like it was made to confuse: a massive, rushed info dump that plays like we’re watching the sequel to a movie that doesn’t exist. Jack Black plays Steve, an adventurer transported to the Overworld—the magical universe of “Minecraft”—who ends up trapped in the Nether, ruled by a villainous pig-lady named Malgosha (Rachel House). Years later, a group of clueless humans, including the nostalgic Garrett (Jason Momoa) and two teens, Henry (Sebastian Hansen) and Natalie (Emma Myers), get sucked into this world and have to find Steve to stop some kind of interdimensional collapse. Sounds like a lot? That’s because it is. And not everything makes sense or connects in a satisfying way. On the bright side, the cast is clearly having fun. Jack Black does what he does best: goes big, sings, throws himself into physical comedy, and brings a chaotic energy that at least keeps the digital protagonist lively. Jason Momoa, playing a washed-up gamer turned pop culture relic, has a good time making fun of himself and nails the comedic tone in a bunch of scenes—even if his character on paper is kinda shallow and undercooked. Emma Myers and Sebastian Hansen do just fine in the teen roles, with Hansen standing out for bringing some actual heart to the story whenever it tries to be more than a collection of poorly connected fetch quests. Technically speaking, the film’s solid. The mix of live-action and voxel-style animation is polished, and the production design really respects the limits and possibilities of the game world. The creatures, the environments, the builds—all of it looks like “Minecraft,” but with a cinematic shine that still keeps the original vibe without feeling like a cheap TV special. The soundtrack does its job, the effects land, and there are even a few scenes that genuinely explore the idea of real-time creation—which could’ve been the heart of the movie, but ends up being just one more moving part in the big, messy machine. The real issue with “A Minecraft Movie” is that it tries to do too much without knowing what it really wants to say. It throws out quick metaphors about grief, some accidental takes on capitalism, a half-baked attempt to explore how video games shape identity and creativity... but none of it goes deep. The game itself is about handing tools to the player so they can be the author of their own experience. The movie, on the other hand, turns that into a guided narrative, full of rules, with a cartoony villain and a predictable hero’s journey. The irony is that the film ends up bureaucratizing the very creative freedom that makes “Minecraft” special in the first place. That said, it’s kind of wild how, in the middle of all this chaos, some little sparks of something special still manage to pop up. When the movie decides to just lean into the absurd and be weird and fun—like in totally nonsensical character exchanges or action scenes that feel like they were imagined by a kid—it actually works better than when it’s trying to be “deep” or “meaningful.” And maybe that’s the lesson here: if “Minecraft” is all about play, the movie should just play too. No big pretensions. Overall, “A Minecraft Movie” is a lovable mess. It’s not memorable, it’s not groundbreaking, but it’s also not cynical—which, given the history of game adaptations, actually means a lot. It lacks focus, cohesion, and guts in the script. But there’s some heart in there, a bit of charm, and a splash of visual originality. For anyone expecting just another soulless cash grab, it’s not quite as blockheaded as it could’ve been.