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Der Student Oliver Quick kämpft darum, seinen Platz an der Universität Oxford zu finden, und wird in die Welt des charmanten und aristokratischen Felix Catton hineingezogen, der ihn für einen unvergesslichen Sommer nach Saltburn, dem weitläufigen Anwesen seiner exzentrischen Familie, einlädt.
Avis de la communauté (11)
I felt so many things watching this. It's stunning, it's twisted, it's weird, it's hot. One thing's for sure, it'll be on my mind for quite some time.
The most A24 non-A24 movie I've ever seen. Sexy nonsense. I liked it. It's one of those films where it could truly go either way on a rewatch - I could see myself both hating this film or loving this film in the future. But for now I'll sip my coffee and enjoy the protests of the rest of y'all.
Unexpectedly theatrical and with substance - like gothic thrilling vice laden modern Shakespeare. This is a film about consumption, the weakness and naivety of arrogance, and a complex first love emotion rolling obsession/jealousy/narcissism into one driving force. There are three acts for me: Oxford, Saltburn, & madness. The first act didn't work for me till the second act kicked in. I was worried about a overly-parody-fied and caricatured script. Whilst I recognised the feelings and experiences of Oliver at Oxford, the people were too larger than life and the early laughs didn't land properly for me. Laughing at silly posh young people or uber geeks just wasn't my thing. Some of the cruelty and snobbery played out well though. The second act puts the first into perspective. The first act which shows an alienated and floundering Oliver gain acceptance from a dislikeable group through the actually sane, kind-ish and likeable Felix sets up for the second act. More unlikeable rich people consuming each other and tossing people away like toys. But Oliver has Felix now and has picked up skills in getting things his way, seduction and sweet talking. But the acting from everyone at Saltburn estate is spot on - I properly laughed at Rosamund pikes and Richard e grants moments. Even though they are all spoilt, sheltered, unwittingly arrogant and judgemental - these characters you like, you see their vulnerabilities and insecurities - you have fun when they have fun. Things start looking beautiful in the second act. Sometimes distractingly so. The light play, framing, and camera work are stunning. You feel you are in the throws of first love in the best summer of your life. Sometimes this was at odds with the drama or tension in the story. Final act madness. The sympathy built up for the family now leads into the thrilling dramatic unwinding. The consumers become the consumed. Arrogance and haughty ideas of invincibility led to weakness and fractures. This isn't an overly cohesive film for me, but I think that's intentional as mis direction. Clues for the real story are laid throughout and I had guessed the ending about two thirds of the way in. I really enjoyed the moments of summer headiness, where everyone is enjoying each other's company. Sometimes the inter-character drama and tensions were too much for me - almost descending into reality tv pettiness. I think thats intentional to show the unsympathetic side of the upper class and olivers push back - I just don't think it needed so much. The pacing and focus was a little off for me at times. The film was full of symbolism and clever lines but it almost felt too full sometimes. Like vacillating rapidly between moods. There was a moment where I was full of tears at portrayal of grief when others were laughing - very interesting but it left me feeling a bit all Over the place. But excited! The score and the setting and sterling acting efforts lift the film up into a grand feeling vision. I was a little disappointed that the tone of the trailers wasn't present in the film at all (bloc party song teaser trailer was amazing) . But the score takes this to a different place - British, establishment, old money, young love, hubris and longing - great score. The film is exciting and there are unexpected moments and some brave choices too. I enjoyed watching this a lot and am excited for more films. There's a lot to enjoy here. Barry keoghans metamorphosis through the film is really really thrilling. Reliving 2006 is fun too - wish just a bit more was done with the music and feeling of that time. Some duff moments for me too so a 7. Recommend
it's just provocative, trying to make you shocked but it's too obvious, boring.
A very competent film that just didn't do anything new with a well worn story. I appreciated the creativity with the sex(ual) scenes, and the slow burn of the protagonist weirdo, but I found myself bored by the end. "Rich people are dumb" is just not interesting to me, especially in a post-Succession world. I've read the main theme was supposed to be obsession and desire but that didn't fully come through for me either. It's a sumptuous, sensual film, certainly not a bad watch, but left me feeling quite empty in the end. Maybe my expectations were too high after Promising Young Woman but I was hoping for those added layers of depth to ground and round out the film like PYW had.