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Nichts ist, wie es scheint.
Während eines wichtigen Boxkampfes im Atlantic City Casino wird ein Anschlag auf den amerikanischen Verteidigungsminister verübt. Auch der korrupte und leichtlebige Polizist Rick Santoro wird Zeuge des Verbrechens. Obwohl der Fall eigentlich nicht in seinen Zuständigkeitsbereich fällt, übernimmt er seinem langjährigen Freund Kevin Dunne zuliebe die Ermittlungen. Dieser war für den Schutz des Politikers zuständig und steht nun unter Druck. Doch je tiefer Rick in das Geflecht aus Macht und Korruption vorstößt, desto mehr muss er sich die Frage stellen, wie weit er zu gehen bereit ist.
Avis de la communauté (12)
Snake Eyes is an entertaining thriller, but it is very '90s, and not always in a good way. The dialogue is often unnatural, the plot devices can be ridiculous, and some of the performances feel cheesy and forced. Brian De Palma's visual style keeps things moving, but the story becomes less interesting as it unfolds. There are moments that work, but the film never develops into the gripping thriller you'd expect from De Palma.
The first 20 minutes of this movie is a one shot of pure Nicolas Cage deliciousness. Then both Nic and the movie take a passive role as you wait in vain for something that resembles life to happen on screen. I am as disappointed as you are watching this movie.
# Historical and Social Context - 1990s Cultural Climate - Pre-digital surveillance anxiety - Skepticism toward government and high-profile institutions # Themes and Symbolism - Core Themes - Voyeurism and the nature of spectacle - The fragility of truth in a media-saturated society - The intersection of power, military-industrial complexes, and justice # Cinematography - Visual Style - De Palma’s signature long tracking shots - Split-screen techniques - High-contrast, neon-lit Atlantic City aesthetics # Narrative Structure - Storytelling Device - Rashomon-style shifting perspectives - Real-time progression interrupted by flashbacks - Subjective vs. Objective truth - Key Conflicts - Morality vs. Personal ambition - Public perception vs. Backroom conspiracy - Rick Santoro’s hubris vs. External threats # Character Analysis - Rick Santoro (Nicolas Cage) - Archetype: The morally fluid anti-hero - Motivation: Fame, influence, and survival - Arc: From opportunistic corruption to reluctant redemption - Kevin Dunne (Gary Sinise) - Archetype: The cold, tactical foil - Role: The embodiment of systemic corruption # Summary Insights - The film uses the 'Snake Eyes' dice roll as a central metaphor for the gamble of moral choice within a rigged system. - Brian De Palma utilizes the camera as an 'unreliable witness,' forcing the audience to experience the disorientation of the characters. - The opening 13-minute tracking shot is a technical marvel that mirrors the complexity of the crime, demanding the viewer track multiple threads simultaneously. - Santoro’s evolution reflects a transition from the '90s cynical archetype to a character who realizes that accountability requires personal sacrifice. - The boxing ring serves as a microcosm for the film’s narrative: a choreographed display of violence where the real winner is decided behind the scenes.
This one is nostalgic. I haven't seen this since its release in the late 90s. 35 yr old Cage was a blast. It was fun seeing Gugino so early in her career as well. Sinise was always great in these types of roles himself. De Palma always had great panning shots, and featured some hilarious overacting from his cast. This one is entertaining even if it's over the top. 6.9
this popped up in the popular recent movies list so i thought i should see what is Cage up to in 2025. Half way through the movie i kept thinking: man they really got the 90's feel spot on in this one and the de-aging AI tech they use now is amazing. so i did a little search for this movie and it turns out the republican nutters tied this movie to some insane conspiracy theory and that's what made this 1998 movie popular in 2025. these people would do absolutely anything but release "the files". it was your man who did it, one of you.