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In Haywire wird die für mörderische Geheimaufträge ausgebildete Special Agentin Mallory Kane von ihren eigenen Auftraggebern ans Messer geliefert. Mallory muss es nun nicht nur mit ihrem zwielichtigen Vermittler Kenneth und dem charmanten Killer-Kollegen Paul aufnehmen, sondern auch noch den jungen Scott beschützen. Doch wer sind die Drahtziehers des Komplotts?
Avis de la communauté (9)
Yah! What a difference 8 years can make as far as some folks opinions of you goes. Not ONE of the negative commentators on this DEBUT film from untrained and untested (as far as acting at least) would say shizz to her face, as, they KNOW what they probable result would be. But Keybored warriors gonna keyboard, so continue to type away while you stuff yourself with Twinkies and Mountain Dew in your Mom's basement, while the grown-ups get on in the real world. Steven Soderbergh saw Ms. Carano's fight with the steroid pumped Chris "Cyborg" Justino, and, in spite of her (questionable) loss, said, "this woman can be an action star", then called her up and asked if she wanted to make a movie. Gina being Gina of course said sure why not. First time out of the gate, and YOU have to carry the movie. It is an ACTION Movie, not "Shakespeare in Love", so, the producers surrounded her with known, bankable, stars, kept the dialog simple, and shot the story around set pieces designed to let Gina do what Gina does best, that is, kick azz and chew bubblegum, and, fortunately for us, she ran out of bubblegum. It was a framework to see if she had the skills to hang with the big boys and carry a movie, We've seen MUCH worse, from Stallone, Schwarzenegger, Statham, Willis, Jovovich, et al, and they received less vitriol than was directed at this enterprise. I enjoyed it for what it was when it was first released, and, due to the recent online silliness, I decided to give it a re-watch to see if my opinion had changed. It hasn't, and, in spite of the cancel mob, it looks like she's not gonna go down without swinging, and may take out a few of the big boys gunning for her on her escape to freedom.
I rarely say this about anything but this movie is perfect.
I thought it was like a female version of the Bourne movies with the filming of the movie mirroring the Ocean's movies with the flashbacks showing more story of how things came together and the locations they were in, as well as some of the music reminded me of the Ocean's films. Which doesn't shock me as much as the guy who directed this movie, also directed the Ocean's films. Though, while I did think it was like a female version of Bourne in away, but by all means I don't think it was a good as the Bourne movies were. Haywire's story was less compelling, but the action scenes was great enough to keep my attention in the film.
I have this film as one of my guilty pleasures. It's a really solid B-movie - but that is its failing. The positive: - Gina Carano is incredibly alluring. The camera loves her. Scenes where she's just being focused on with no action keep you riveted. A very beautiful woman. And she's exceptional in the fight scenes, much as you'd expect from an MMA fighter. The flaws: - Soderbergh - an excellent director in usual circumstances. This feels like he gave control to someone else and then just signed it off. - The ADR. It doesn't mesh as the right tone throughout the film. I'd like to see a cut with Gina's voice and see why they felt the need to replace it. - the chase scenes are a little overlong with little suspense. This is far from a perfect film. It has a very solid cast. Carano was learning on the job and she has good points and bad points. But it could have been much better. I have however seen it 3 times that I can recall and I do enjoy it. 7/10
Well, I enjoyed this movie...