Ah, I love it when I genuinely have fun when watching a murder mystery! I hope they'll manage to write another extravagantly entertaining adventure for Benoit Blanc's third screen exploit! Oh, by the way, with everything that's been going on with Twitter, was anyone else eerily reminded of the mercurial "Chief Twit"'s antics when witnessing [spoiler]Miles Bron's chaotic decisionmaking[/spoiler]? I don't think this was originally intended, but that character now definitely feels like a parody of Elon Musk lol

Not sure why everybody is so excited about this movie. The detective part was much weaker than in the first movie, and the rest is just a typical Netflix annoying propaganda. [spoiler]The detective is gay now, of course. The main villain is a white male, of course. The most brutal guy (Batista) is a sissy mama's boy, of course. And the smartest, bravest, strong and independent hero is a black woman, of course. So tired of this Netflix crap. Just before you making her a hero in your eyes remember that just for the sake of vengeance she burned the original Mona Lisa painting without any doubt, which one of the most precious art heritage of our civilization.[/spoiler]

Rian Johnson is starting to turn into the white Jordan Peele. He's another one of those filmmakers that loves to work in this niche of subversive genre films that include a heavy dose of social commentary, and I'm all here for it. Specifically, with this franchise we’ve gone from satirizing old money with _Knives Out_ to satirizing new money with this new film (chances are _Knives Out 3_ will center around a group of homeless suspects). Now, a lot of films in that same vein have been released recently (_Triangle of Sadness, The Menu_), but I think none of them do the satire as well as this film. To me it’s too easy at this point to simply aim your commentary at these people by making a statement about how stupid and incompetent they are. It seems like low hanging fruit to me, because everyone with a brain knows that these types are vapid and contribute nothing to society. Luckily, Rian Johnson understands this too and goes one step beyond that, filtering all of his commentary through this idea of the glass onion. These people aren’t just stupid and incompetent, but they’re using a veil of eccentricity and ‘complexity’ to hide that. This is a brilliant deconstruction that rings very true for today’s society, and of course you can’t quite escape the obvious parallel with Twitter’s manchild CEO firing himself this week. This subtext is woven into a lot of elements of the film (character, location, plot, even some props), which means that some things are a lot dumber and simpler than they appear to be. I think that will annoy some people, but I think it's quite clever. Like the first film, you get a great cast of colourful characters. Some of them are given depth, some of them are just playing funny caricatures. Daniel Craig owns the whole movie again, but Janelle Monáe comes pretty close to outperforming him. Even people like Dave Bautista do a great job, and it’s because Rian Johnson knows how to use these actors despite their limited range. There are plenty of twists you won’t see coming and the filmmaking is again terrific. It looks very cinematic with the blocking, lighting and compositions, and the score feels very 60s (lots of strings, some minor baroque orchestration), which reminded me of _The White Lotus_ and a certain Beatles song. In the end, what puts it over the first film for me is the fact that the tone feels more consistent here. The more tense and dramatic moments of _Knives Out_ didn’t really hit home for me when you have Daniel Craig doing a really campy accent, and this one just fully embraces that it’s a silly comedy. And it’s a great one at that, nearly all the jokes landed for me. Maybe could’ve done with a little less shouting from Kate Hudson, but ok, it makes sense for the character. Probably the most fun movie of the year next to _Top Gun: Maverick_, and definitely one of the most well constructed. 8/10