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Ein Clan von vier jungen Mädchen hat sich in eine Hütte im fernen Bergland zurückgezogen, um der Welt den Rücken zuzuwenden. Sie zelebrieren ihre eigene Traurigkeit als Akt des Widerstands gegen das Patriarchat. Ihr isoliertes Dasein finanzieren sie über selbstgemachte Pornos, die sie im Netz verkaufen. Überschüssiges Geld spenden sie an Waffen für Rojava, um kurdische Frauenmilizen zu unterstützen. Die Clique hat längst Kultstatus erreicht - als Idol für verzweifelte Teenager und Schreckgespenst für besorgte Eltern. Selbst die Staatsanwaltschaft kann ihren genauen Aufenthaltsort nicht ausfindig machen. Als Fernsehreporter Hendrik in der Berghütte aufschlägt, um eine Doku über die vier Mädchen zu drehen, gerät ihre feministische Mikro-Utopie aus den Fugen.
Avis de la communauté (1)
I really want to give this movie more credit because at it's core it's a very engaging mockumentary which really does have something interesting to say. Like, there are aspects of it that genuinely make you think. The general plot as well as the thought that seems to have been put into the group dynamics are fantastic. However there are several grievances I have with the movie. First of all the acting ranges from bad to unbearable. You can always easily tell that these are actors reciting a script. I'm not saying that they are necessary bad actors, I think that the director is more at fault here. This is supposed to mimic a Vice documentary, why would you have your actors stick to the script as if they were playing a traditional Shakespeare drama? Ways of saying stuff that might seem to make sense or feel natural in the writers room, often make for uncomfortable, unnatural interactions when acted out for a camera that is constantly moving, itself part of what's happening on screen and often extremely close to the actors. This wouldn't be such a huge problem in a more standard movie format were scenes are much more fleshed out and choreagraphed, were awkward breaks and might be edited out or made less obvious by a cut from one canera to the other. Doesn't in movie that's heavily dependant on believable character interactions it seem intuitive to let actors improvise way more? Another things that's distracting is the writing in general. Throughout the movie it's extremely obvious that some lines of dialogue only seem like a setup for oneliners and jokes. There is a scene that's basically nothing but a rapid fire exchange of character A saying something and getting immediately shut up by something that's worthy to be put on a political brochure by character B for a few times in a row. All this aside, for me the movie is still very much worthwhile and even a little lovable because of these shortcomings and I'd still recommend it to anyone.