Laden...
Laden...



Der US-Bundesstaat Maine in den 1890er Jahren. Der erfahrene Leuchtturmwärter Thomas Wake und sein neuer Gehilfe Ephraim Winslow treten ihre vierwöchige Schicht auf einem kleinen, einsamen Eiland vor der Küste an. Obwohl im Handbuch eigentlich vorgeschrieben ist, dass sich die beiden bei den Schichten abwechseln sollen, lässt der alte Seemann seinen jungen Kollegen jedoch nicht zum Leuchtsignal in die Spitze des Turmes – Ephraim muss stattdessen alle niederen Arbeiten verrichten. Während die Spannungen zwischen den beiden Männern immer mehr zunehmen, gibt es aber auch immer wieder Momente tiefster Intimität. Vor allem, wenn viel Alkohol fließt. Als die vier Wochen dann endlich vorüber sind, zieht ein schlimmer Sturm auf, der das Verlassen der Insel für Wochen oder sogar Monate unmöglich macht...
Avis de la communauté (11)
Some excellent cinematography. Some great monologues by Dafoe. But mostly, I’m left with a feeling of “What did I just watch...? And why...?”
LIFF33 2019 #2 Time to spill the beans…’The Lighthouse’ is a masterpiece! I loved loved loved loved it! I loved every minute of it. One of my favorite movies of 2019 and I honestly don’t think anything can top it. A slow descent into madness that creeps into your subconscious and won’t be leaving anytime soon. From the very first frame, I immediately knew this was going to be special. I was hooked throughout until the end credits. Willem Dafoe and Robert Pattinson both deliver career defining performances. They play off each others insanity beautifully. I could tell just from the accents and dialect that plenty of homework went into making an authentic portrayal of the time. Robert Pattinson is fantastic as a quiet and private lighthouse keeper that witness the madness slowly unfolding, but also feeds the audiences curiosity on revealing the strange happenings on the island. Pattinson is a chameleon when it comes to portraying characters. Willem Dafoe, on the other hand, was mesmerizing as the old sea dog captain with a love for farting. His long and insane monologues are the main highlights, because it was so electrifying to watch it was hard not be captivated. He’s strict and often unpredictable, but once you see it, you won’t forget it. I hope Robert Eggers continues making horror movies in the future, because right now he’s one of the best living directors working today. The slow-burn tension and lack of conventional scares seems to be his trademark so far. Every choice he made was so carefully thought out and the results is masterful. According to Eggers, they actually built a lighthouse from scratch and everything we see, including the weather, is genuine. Even if some tricky was used, it was so seamless I couldn’t tell what was fake. I loved how the movie was shot; the dim black-and-white with the claustrophobic aspect ratio, giving it the appearance of a silent film born like a German expressionism - something you would’ve mistaken for a 1920/30’s horror folklore. Perfectly captures the time period and the overall dread. You really do feel cut off from the outside world and abandoned on this spectral-like island, and this black sheet of cloud strongly looming over the two men. A dark force in all directions, unseen but very eerie. The cold and heartless weather is a character itself. A big bully with salty intentions. I adored the use of lighting through out, as the only light source is either natural light during daytime or candle lit lanterns, which cast many shadows that adds to the unease. There’s some gorgeous looking cinematography on display here. Seriously, even as am writing this right now I can memorize every single frame of this strange nightmare of a film. Absolutely breathtaking. While the movie is mainly horror, but there is comedy sprinkled throughout that was actually pretty hilarious. Everything from Dafoe farting and some creative insults the characters would often spit at each other, which would later expand into long monologues that I sat back and watch in awe with a stupid grin on my face, because how something so silly can be so poetic. Never have I seen a movie that perfectly balances more than one genre so fluently. You can laugh at the moments where it’s suppose to be funny, but also take it seriously whenever it’s suppose to be taken seriously, which is sometimes all in one scene. The writing from Eggers is so excellent. After only one viewing there was a lot I could easily dissect in terms of interpretation. There's masculinity and Greek mythology imagery that demonstrates a striking sense of power. There’s also a certain idea of sexuality being a sacred thing and the frustration it may bring. Or maybe it’s just a simple story about two guys on a rock getting drunk and then getting even drunker while holding each other until they drift off to sleep. Overall rating: One of the best looking horror comedies of 2019.
Watching _The Lighthouse_ is like trying to tickle myself, I know what I'm supposed to be feeling but I know what's going on more than feel what's going on. And I'm not sure why. The cinematography is breathtaking, the acting is above par (Willem Dafoe shattered my low expectations of him) and the sound scaping is aural sex, yet still the effect the film had on me was more cerebral than psychological, and that's not what I've come to expect from Robert Eggers and A24.
My Review of ‘The Lighthouse’ in 3 Sentences: 1. I feel like I just watched a two-hour bar fight. 2. Even great cinematography can’t save a movie. 3. The farting was absolutely unnecessary.
I don't understand all the hype and rave reviews for this movie. Yes, it was visually stunning. Yes, Dafoe and Pattinson gave superb performances. But everything else...was pretty pointless, meaningless, boring. Watching paint dry would have been a more productive use of my time.