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Eine Gruppe junger New Yorker mit dem Leben, der Liebe und dem Älterwerden konfrontiert: Der Autor Sam freundet sich mit einem kleinen Jungen an, der in der U-Bahn von seiner Familie getrennt wurde und verliebt sich in die Cabaret-Sängerin Mississippi. Sams beste Freundin Annie leidet an einer seltenen Krankheit, durch die ihr am ganzen Körper kein Haar wächst, während die Beziehung von Charlie und Mary durch einen bevorstehenden Umzug nach L.A. auf die Probe gestellt wird.Gewinner des Publikumspreises auf den Sundance Festival 2010
Avis de la communauté (5)
Pleasantly surprise by Radnor, i didn't know he was a decent story maker. Cute and nice independent movie for this one.
I thought this movie was really a sneaky good way to portray the difficulty in finding love. While the film was overall "good", the best scene of the movie (and one of my favorite scenes in recent memory) is the scene with Tony Hale and Malin Akerman towards the end of the film. My goodness, that was powerful. follow me at https://IHATEBadMovies.com or facebook IHATEBadMovies
Do you know what worries me? It’s not people who watch horror movies or violent action movies, it’s people who watch romantic comedies, and resonate with them. In _Happythankyoumoreplease_ (which I will henceforth refer to as HTYMP... easily one of the worst and most annoying titles ever thought up), we get not only one, but three, stories of bad relationships. Wether it’s the bad communication, the boundary violations or ignoring red flags, all we’re seeing is a set up to doomed relationships. I actually had to wonder if it was worth criticizing, and it is. See, romcoms are notorious for serving toxicity to the masses and playing it off as cute. Could you imagine if _Sleeping with the Enemy_ were written as a cute romcom and not a horror movie about domestic violence? A bad relationship is a bad relationship, there are simply different degrees. This is just a reminder of why I hate romantic comedies. Don’t let the bouncy, indie rock soundtrack fool you. As for the movie itself, it’s just okay. I was interested enough in the main story, but I was mostly waiting for the ending. If you're the type of person who loves saccharine stories, you’ll enjoy this. I have to ask, what is the responsibility of a writer? Does a writer have any ethical obligation to make a reality-based movie a template for healthy relationships? Or is it that most relationships are fucked up, and that’s a proper representation of life? Fair, but does it have to be depicted as ideal? Lastly, is this all void, because ultimately, this is fiction? Well, if it’s just fiction, then all the rules are meaningless, ergo a healthy relationship can be presented, even as an outlier. HTYMP really is one of the worst "romantic" movies I have ever seen - granted, it's no _Notebook_, but still pretty bad. If you want a good indie romcom, watch _The Boy Downstairs_ (2017), it is both funny, and sad, while staying true. It shows that people are flawed, and we have to grow, we have to change. We don't just get to be adorable train wrecks.
I’m not sure what Josh Radnor’s future holds as a director but I hope he makes me films. You can just tell right away he not just has a talent for directing but a passion. Especially in the story he’s telling this movie just feels so simple but so needed. Every scene was a look at life and reality and just made me feel happy I was watching this compared to whatever else. All performances were great and a nice independent film.
Happythankyoumoreplease is an interesting dramatic comedy about relationships. The film follows a series of loosely connected characters that are each going through relationships issues. The cast is rather good and includes solid performances from Josh Radnor, Malin Akerman, Kate Mara, and Tony Hale. Overall, the stories connect well-enough and gives the film a cohesive feel. However, none of the character stories are especially meaningful. Still, Happythankyoumoreplease has a number of compelling and interesting moments and is fairly entertaining.