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Die Geschichte von N.W.A
Drogenhandel und Ganggewalt sind in der Stadt Compton im Süden von LA an der Tagesordnung, während die Polizei den vielen afroamerikanischen Einwohnern hier häufig mit Rassismus begegnet. Die scheinbar aussichtslose Lage veranlasst Mitte der 80er Jahre schließlich fünf junge Männer dazu, ihren brutalen Alltag mittels Musik zu verarbeiten und so ihre Stimmen gegen die herrschenden Missstände zu erheben. Unter ihren Künstlernamen Dr. Dre, Ice Cube, MC Ren, Eazy-E und DJ Yella gründen sie gemeinsam die Hip-Hop-Gruppe N.W.A. Mit harten Beats und ebenso ehrlichen wie kontroversen Texten sorgen sie für großes Aufsehen und ecken vor allem auch bei der Polizei gehörig an. Der enorme Erfolg, den sie mit ihrem Album „Straight Outta Compton“ feiern können, gibt ihnen allerdings Recht. Doch mit dem Ruhm gehen auch zunehmend ernster werdende Differenzen zwischen den Rappern einher, sodass N.W.A so kurz nach dem großen Durchbruch schon wieder auseinanderzubrechen droht.
Avis de la communauté (8)
Good Movie...really good movie...about something I don't really care all that much about. I'm a metalhead, and most metalheads barely recognize Rap as a music form. I'm not that hardcore and recognize rappers for what they are. Today's street poets. I have heard of N.W.A., and of course Ice Cube and Dr. Dre, but not much more than that. Never really listened to any of the songs etc., but in the course of watching this movie I started to care a little more about the people and where they were coming from. I still don't like Rap mind you...but I can recommend this movie to anyone with an interest in music history.
After the two excellent "8 Mile" and "Notorious B.I.G", here we go with this new movie about Dre, Cube and Eazy-E. The great soundtrack and the good acting performance make that movie really dope!
I LOVE THIS FILM AND IT IS ESSENTIAL FOR ALL HIP HOP FANS :) That's all I have to say really, definitely check out the directors cut when you can but the theatrical version is definitely slicker and the directors cut extends some scenes that don't need it but add some laughs and also emotion.
Quality film. I thoroughly enjoyed 'Straight Outta Compton', it had me gripped all the way through. That's despite me having little to no knowledge of N.W.A, I knew of their name and of Ice Cube and Dr. Dre but basically zilch about their actual story. I couldn't comment on how true it is to history, but as a film it's fantastic. You have great performances from O'Shea Jackson Jr., Corey Hawkins, Jason Mitchell and Paul Giamatti. Mitchell impressed me most as Eazy-E, while the casting of Jackson as Ice Cube - his father, of course - was a masterstroke. All the cast do very well, in truth. I love how gritty the film is too, it feels real - at least as real as film can get. There is some neat cinematography in there, while the music is entwinned nicely. The pacing is almost perfect, aside from a few moments in the middle. I also rate how it all ends, in terms of the story but also with the end credits. There's heart in there.
This is the second time I've seen F. Gary Gray's biopic about N.W.A, the Los Angeles hip-hop outfit which became a critical part in making rap music and accepted art form and part of the mainstream music scene. The casting is spot on, making the younger versions of Eazy E, Dr Dre, Ice Cube, and DJ Yella completely plausible and even likeable young men. I could watch Paul Giamatti in just about anything as he is one of the best character actors alive, and his performance as Jerry Heller, N.W.A's first manager, oozes compassion and experience. The film doesn't shy away from the violence and drug use which was so prevalent in the lives of men like the founding members of N.W.A – indeed it makes the lyrics, attitudes and behaviour more understandable – so is an important part of documenting the rise of West Coast rap artists. Perhaps the most impressive parts of the film are the live performances, particularly the Detroit concert when they disobeyed the police's order not to play 'Fuck tha Police'. It would be easy for a biopic like this to become bogged down in familiar clichés and tropes, so it's to F. Gary Gray's credit that it feels fresh, provocative, and exciting all the way through to the moving final segment focusing on Easy E's death and Dr Dre's rise to superstardom. The film is beautifully shot by acclaimed cinematographer Matthew Libatique, has a superb score by Joseph Trapanese, and the use of original music is smartly blended into the performances by the actors, giving the movie an authenticity and sense of familiarity which is invaluable. I highly recommend it to everyone, regardless of your feelings about hip-hop/rap music.