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Während des Zweiten Weltkrieges rückt ein Trupp deutscher Soldaten unter dem Kommando von Hauptmann Woermann in ein rumänisches Dorf in den Karpaten ein, um die nahegelegene Burg zu besetzen und einen Gebirgspass zu sichern. Die Festung, genannt The Keep, ist jedoch nach Aussage von Alexandru, dessen Familie seit Generationen über den Bau wacht, verflucht. Nach dem Geheimnis des Ortes befragt, belässt er es allerdings bei Andeutungen. Der selbstbewusst auftretende Kommandeur Woermann zeigt sich zwar verwundert über die Architektur des Festungsbaus, schenkt den Warnungen des alten Mannes aber keinen Glauben, und so beziehen er und seine Männer Quartier in der Burg und beginnen mit ersten Umbauarbeiten. Als zwei Wachsoldaten eigenmächtig beginnen, einen Steinblock aus der Wand herauszulösen, setzen sie eine unheimliche Macht frei, deren Sog alles zerreißt, was ihr in den Weg kommt.
Avis de la communauté (7)
The Nazis seize an ancient Romanian fortress and are predictably eliminated by something potentially more powerful. This is weird, but not weird for weirdness sake. It's undoubtedly a tale of an evil having to deal with another evil, but everything feels so distant and unfamiliar. I don't want to make light of this because it's not a B-movie or anything. It is deadly serious. But it's so hard to like because its characters are cutouts of cliched evil. There's just no one to like in "The Keep". I do like the mystery of the fortress but it's not played up enough. The ancient evil within it is threatening but its depiction is underwhelming. The special effects are mired in '80's tackiness. This is not a movie that I didn't care for, I just don't know how to grasp what its supposed to be. Normally that's an okay thing, but I thought I was watching a potential Halloween horror and my expectations were misplaced.
Michael "O. Cmon" Mann should've called this movie The Keep Trying because this ain't it, chief. An all-star cast (Gabriel Byrne, Scott Glenn, Ian McKellen) act like this silly script is Shakespeare while impractical special effects distract from occasional lapses of decent cinematography. The best thing about it remains the perfectly preserved time capsule soundtrack. Is it really an 80s film if Tangerine Dream didn't do the music?
Feels very dated. There were some interesting ideas but also a lot of weird stuff. The soundtrack was ok but not as good as Thief. I wouldn’t recommend unless you are trying to see all of Michael Mann’s movies.
I don't understand the production of this movie. Technically, it's fractured, scattered, disjointed, marginally cohesive. Hmm? Was this an unfinished movie, pieced together from raw footage left in a cabinet? This film does provide an interesting atmosphere and a unique story.
Oh boy this is an eighties flick. How much of an eighties flick is it? It is practical effects, painted lighting, exclusively synth soundtrack, more smoke than not, puffy shirts with rolled sleeves and faux lasers eighties is what it is. It's a fun watch despite narrative leaps but that sound mix is truly distractingly awful. Somebody must have been doing lines on the console when even the dialogue can go from barely audiable to commercial break in the same scene. Late night watching requires a hand on the remote at all times.