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Man büßt nicht in der Kirche für seine Sünden. Man tut es auf der Straße …
Main Street: das „Italienische Viertel“, der Hexenkessel New Yorks. Die Kehrseite der Stadt. Die Boys haben sich verkleidet. In dunklen Anzügen möchten sie große Gangster sein, es den „Paten“ gleichtun und abkassieren, wo immer es geht. Doch der Hexenkessel hat eigene Gesetze: Macht, Gewalt, Mord, blutige Bandenkriege – überleben kann nur der Stärkere.
Avis de la communauté (11)
God this movie is terrible. I love every second of it.
Contains all the trappings of Scorsese's best gangster movies: the actors, the accents, the lived-in reality accentuated by the brilliant music, etc. It just never quite rises to the level of the true greats--this is him, working out the kinks and developing the muscles. This almost has an amateur feel to it (not in a bad way, necessarily) of a bunch of friends getting together to play and it's a lovely thing to watch. Special shoutout to De Niro, who plays a real live wire here in contrast to his later, more reserved brand of gangster.
Mean Streets feels like Goodfellas' younger brother - not nearly as handsome, feared, or respected, but of the same DNA. The writing is weak, and the story arch is slow and flat, but Robert De Niro puts in a spectacular performance.
This movie served as a practice for Scorsese and De Niro to become film stars. Experimental movie, yes, with a narrative not very well built and understood, maybe; but anyone can sense what Scorsese will make in the following years and decades. Early Scorsese was very avant-garde. I’ve never seen De Niro acting such a comedic character, like a jester.
The only positive point of this movie is the brilliant performance of Robert De Niro.