Laden...
Laden...



Gewalt und Verzweiflung.....Erlösung kommt nach Gotham
Eine weitere Nacht bricht an über Gotham City und mit der Dunkelheit kommen auch das Verbrechen und die Niederträchtigkeit aus den dunklen Ecken hervorgekrochen. Batman und die anderen Superhelden sind nur noch verblasste Erinnerungen; Gewalt und Verzweiflung prägen die Gegenwart Gotham Citys. Doch als der mittlerweile wieder in die Gesellschaft integrierte Harvey „Two Face“ Dent aus seinem Leben ausbricht und es gegen Korruption und Verbrechen eintauscht, legt der gealterte und abgekämpfte Bruce Wayne ein weiteres Mal Maske und Umhang an. Verbrecher können sich nicht verstecken, wenn der Dark Knight zurückkehrt!
Avis de la communauté (10)
That's a lot of civilian casualties on this part! Did the joker just snap his own neck? Bloody, brutal, chaotic, disturbing and exhausting part 2 yet wonderfully animated and very rich visuals. Not a fan of Weller's voice as the Bat.
Brilliant adaptation. Every quote is epic.
The best representation of Batman EVER! Part I and II are just amazeballs.
MASTERPIECE! THE BEST BATMAN MOVIE I NEVER BEEN SO HYPED WATCHING SOMETHING
While this doesn't flinch in the face of Frank Miller's daring, classic source material, it manages to fail in other ways - some avoidable, others a helpless victim of the format. Readers concerned about potential scene-trimming or the censorship of important, risquée spots in the graphic novel can rest easy. It's all here, from Reagan in a haz-mat suit to the Joker's talk show appearance, with only two notable alterations: the identity of the TV host (whose replacement is actually a great surprise) and the crash-landing location of a disabled aircraft (it falls on a crowded city street, rather than into a skyscraper). Otherwise, it's a raw, direct translation that's especially effective during the major action sets - the final battle between Batman and his lifelong rival is downright incredible. Where it falls short - infuriatingly, unforgivably, and universally - is in its voice acting. Never have I heard a more mundane, emotionless series of performances in a major production. It's flat from start to finish, robbing landmark scenes of their emotional power and eradicating the vigor that oozed from the printed page. Granted, much of Miller's dialog is Lucasian, in that it works far better in print than on the screen, but even a remotely talented cast should have been able to compensate for that with an appropriately passionate delivery. Instead, we get a wounded Joker asking Batman "Are you out of your mind?!” in a dull, straight monotone, rather than the shocked, manic shriek I heard in my mind upon first turning that page. Perhaps I've been spoiled by so many years of classics from Kevin Conroy and Mark Hamill, because, for me, there was just no looking past these performances. Which is a shame, because the animation is wonderfully fluid and appropriate, and the plot still remains startlingly timely. A painful wasted opportunity.