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Was passiert, wenn das, was man sich vorstellt, glaubt, real zu sein?
Spanien, 1944: Nachdem der Bürgerkrieg schon seit fünf Jahren vorbei ist, kämpfen in den Bergen Nordspaniens immer noch republikanische Partisanen gegen das faschistische Franco-Regime. Die elfjährige Ofelia zieht mit ihrer schwangeren Mutter Carmen in die umkämpfte Region, da ihr Stiefvater Hauptmann Vidal seine neue Frau bei sich haben will, wenn sie das Kind bekommt. Der sadistische Hauptmann ist von der Regierung mit der Zerschlagung des Widerstandes beauftragt worden und geht mit grausamen Methoden gegen die Rebellen und vermeintliche Sympathisanten vor. Ofelia flüchtet sich währenddessen in die Fantasiewelt ihrer Bücher, die von Elfen und andere Kreaturen bevölkert ist. Eines Tages erscheint ihr in einem Labyrinth in der Nähe des Landsitzes ein Pan, der ihr offenbart, dass sie in Wirklichkeit eine Königstochter aus einem unterirdischen Königreich sei. Er erlegt Ofelia drei Mutproben auf, die sie bestehen muss, um in das Reich ihres Vaters zurückkehren zu können…
Avis de la communauté (11)
A dark, brutal, chilling masterpiece. Really good!
It was a good light movie
Didn't expect the violence at all. I was under the impression it would be a fantastic fantasy film and I was wrong. It just was something COMPLETELY different than what I thought it would be.
"Pan's Labyrinth" is a simple but heartful film that beautifully combines dark fantasy, mild horror and semi-realistic war drama in a truly unique atmosphere. It has been criticized for being a bit too simplistic and melodramatic, but if you take it as the allegoric fairytale it is supposed to be, I actually found it as one of the few successful attempts at transposing such a genre into adult cinema. The simple narration and archetypal characters reflect classic fairytale storytelling, while also managing to teach the values of rebellion and sacrifice without resulting tediously didascalic. Ofelia's fantasy world has often been misinterpreted as an imaginary refuge from the horrors of war, or as a visual representation of war seen through the eyes of a child. However, as Del Toro Said himself, the faun and the other creatures are not a figment of Ofelia's imagination, and are supposed to exist within the film's reality. This made me think about how grown-ups tend to come up with elaborated explanations and expect overcomplicated developments from something that just wanted to tell a story. My only complaint is that the creatures just appear like in a catalog with very little to say. It's a pity considering that Del Toro obviously spent a lot of time and effort to meticulously flesh out the hauntingly beautiful aesthetics and set the tone with his fluid direction and immersive sound design.