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In der kleinen Universitätsstadt Anderson in South Carolina wächst Mitte der 70er der geistig behinderte James Robert Kennedy auf, der wegen seiner Vorliebe für eben solche Geräte auch "Radio" genannt wird. Eines Tages weckt er das Interesse des Sportlehrers Harold Jones der eigentlich mit einer Kleinfamilie und einem ambitionierten Footballteam bereits völlig ausgelastet ist. Im Laufe der folgenden Jahre entwickelt sich nicht nur eine tiefe Freundschaft, sondern man entdeckt auch Kennedys erstaunliches Organisationstalent.
Avis de la communauté (7)
Never go full retard. (Tropic Thunder)
Radio has one of those true stories that, on paper, seem made to move you: a high school football coach who reaches out to a marginalized young man, a community that learns to see him differently, and a human bond that should carry the whole film. The problem is that cinema does not work only because it has good intentions. It also needs perspective, restraint and an honest way of telling the story. The film wants to move you from the very beginning, but its intentions are too visible. It goes for the easy tear, and that does not always work, even when you have very good actors. Ed Harris brings seriousness, Cuba Gooding Jr. gives himself fully to the role, and the cast tries to bring humanity to a story that, in other hands, could have felt much cleaner and truer. But the film insists so much on underlining what is noble, beautiful and exemplary that it ends up weakening what it is trying to tell. The biggest problem is the tone. Radio seems afraid of any uncomfortable area. It deals with integration, difference, prejudice, disability, racism and class, but often does so from a surface that is far too gentle. Instead of truly entering what hurts, it prefers to turn everything into a warm fable, with emotional music, kind gestures and moments designed to make the viewer feel good. That does not mean it has no effective scenes. Some work because the story itself has strength and because Ed Harris can convey decency without needing big speeches. There are also moments when the relationship between the characters shows a certain sincerity. But every time the film could become more complex, more uncomfortable or more adult, it chooses the easy path. That is where it falls short. A film based on true events should not use that label as an emotional shield. Reality can be inspiring, yes, but it can also be contradictory, harsh and full of grey areas. Radio prefers to arrange everything so it fits into a nice lesson, and that is why it ends up feeling less like life and more like a product designed to pull at the heartstrings. It is not an unbearable film. It is watchable, it has good actors, and it may move viewers who accept its approach without much resistance. But its tenderness feels too calculated, too clean and too comfortable. It wants to speak about the best side of human nature, but it does so in such a sentimental way that it ends up weakening its own story.
I loved this movie and We can all learn a lot from one another if we can move our pride out of the way long enough to do so. If you haven’t seen it, watch it. Open your ears and open your heart. It’s a beautiful film.
Der Film basiert lose auf einer wahren Begebenheit. Die Geschichte die erzählt wird hat sehr viel Herz und berührt einen. Durch die Hilfe eines Mannes konnte Radio seinen Weg finden. Tolles Schauspiel und sehenswert. Radio bzw. James Robert Kennedy hat bis 2019 gelebt und starb im Alter von 72 Jahren.
Very good, touching and heartfelt movie. They don't make movies like that anymore.