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Charlie, unabhängige Eignerin einer Autowerkstatt mit weiblicher Belegschaft, muss ihre Zukunftschancen neu bewerten, als die Konkurrenz direkt gegenüber eine protzige Filiale eröffnet. Charlie sucht online Trost bei einem anonymen Vertrauten – nicht ahnend, dass es Beau ist, der Geschäftsführer der Konkurrenz. Online und offline sprühen die Funken, doch die Wahrheit könnte alles zerstören.
Avis de la communauté (12)
Well, personally I thought it was a really cute romantic comedy. All of the critiques are valid; but come on! Who was expecting a masterpiece? It’s a feel good movie! And it made me feel good! I don’t expect Oscar worthy performances, plots, or casting in this genre of films… It was decent movie for exactly what it was. Enough said.
Mild spoilers and major gripes ahead. #1. Making Katy O'Brian straight is a hate crime. #2. The Pick Me / Not Like Other Girls energy is off the charts. Why bring this vibe to a movie that centers a female owned and operated business??? "I prefer wheels to heels" BARF. "I was playing with wrenches instead of Barbies." Why not both??? I LOVED the idea of a nail salon in a girlie repair shop but the main character was so dismissive of anything femme. It's just dumb. The best scenes were with the girls, I wish this was a buddy movie focused on the girls saving their cool local business rather than a romantic film. #3. The love interest is a bad person with no redeeming qualities. He literally uses the phrase "keyboard warrior" at one point and salivates at the chance to destroy a small business. Absolute normie capitalist loser. This movie will not gaslight me into thinking he's redeemable after seeing how he is at work. NOPE. His response to her losing the shop is DISGUSTING. He does NOTHING to make up for destroying her family business and then they're suddenly flirting wtffff???? He's a gross douchebag corporate bro. VOM. #4. We're supposed to believe in 2025 that he is the first person to being up electric engines like it's some brilliant cutting edge idea -_- #5. The main character's personal conflict makes zero sense - her dream is to run a classic car repair shop?? Girl, just do it! Why would her dad be disappointed?! If it's because he wanted to repair regular cars, then she could just do both! She's already lost most of her business, specializing would only make sense, even before the main conflict with the competing big shop across the street. I just can't stand when movies present the OBVIOUS solution early on but then we all have to be dragged through the hemming and the hawing only for the plot to do what we all knew was going to happen 60-90+ minutes ago. #6. Why is Matteo Lane carrying a plant everywhere. I appreciate plant-gay representation, being a proud new mommy to a gorgeous little burgundy rubber tree myself, but it's just so tacky corny lazy and played out to have him carrying one around like it's his only personality trait. #7. Yes, I also hated You Got Mail.
The writing is elementary. The plot obvious. It’s like a lifetime or hallmark movie. Save your time. Whatever you think will happen will happen. Remember the movie You’ve Got Mail? It’s a total rip off of that. And a very poor one.
Let’s be honest… there are bad movies, and then there’s Maintenance Required. It’s not funny, it’s not moving, and it disappears from your mind before you even have time to get annoyed. It promised to be different, but nope. Same old story. Flat characters, recycled lines, elevator music… everything feels the same. Ten minutes in and you’re already checking your phone — or thinking about dinner. Madelaine Petsch and Jacob Scipio try, they really do, but there’s just no way to save it. No soul, no rhythm, no spark. Nothing. It feels like a rom-com made with a template — the kind someone writes on autopilot: “throw in two attractive leads, a misunderstanding, a kiss at the end, roll credits.” And that’s exactly what it is. Lacey Uhlemeyer’s direction doesn’t help either. No tone, no charm, no energy. The jokes don’t land, the romantic bits fall flat, and when the film tries to be serious, it’s just awkward. Everything looks rushed, careless — like someone said, “whatever, it’s done, just upload it.” The only thing worth saving — and by far — is the song This Is the Day by The The. It plays twice, and for a moment you feel like you’re watching another movie. It’s got soul, it’s got life. Which makes it hurt even more, because it reminds you of what this story never manages to have. And in the end… nothing. You’re the same as when you started, just more tired. Maybe even emptier. It leaves nothing, teaches nothing, provokes nothing. Some movies should just stay locked away and be forgotten. Honestly, this one should’ve never left the drawer.
Reworked version of 'You've Got Mail'. Same plot progression.Same characters.A more steamy update to the plot.Watchable:yes, but nothing new here!