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Siegreich kehrt General Titus Andronicus nach Rom zurück. Seine Geiseln sind Tamora, die Königin der Gothen, und ihre drei Söhne. Titus befiehlt, den ältesten der drei Söhne zum Ruhm der gefallenen Römer zu opfern. Tamora schwört bittere Rache. Sie bezirzt Saturnius und heiratet ihn. Jetzt ist Tamora in der Position, ihr hinterhältiges Rachespiel zu beginnen. Aus dem folgenden Malstrom aus Mord und Todschlag gibt es nur für Wenige ein Entkommen.
Avis de la communauté (2)
[7.5/10] _Titus_ was quite an experience. It's a rather experimental film that could not always hold my attention, largely because of its commitment to sticking closely to Shakespeare’s original text. The film’s style is pretty chaotic, but the performances are deeply passionate. I haven't looked it up, but I’d be surprised if any of the main cast didn’t have a background in live theatre because the level of drama they brought to the story was genuinely impressive. Of course, Anthony Hopkins is no stranger to Shakespearean roles, and he stood out among the rest of the incredible cast. The choreography of many scenes was striking and satisfying, and much of the imagery was both horrific and so alive. It felt like a film that truly did justice to the original work. I also really enjoyed the strange, surreal blending of past, present, and future elements. The music also complemented the film beautifully throughout. I wouldn’t say I loved the film (it did drag and I tired of the Shakespearean language, lol), but I really appreciate it for what it is—an undeniably unique, ambitious viewing experience. It’s not something I’d revisit often, but maybe far in the future, or if I found the right person to recommend it to. And while I might not be rushing to rewatch _Titus_, I would love to explore more works from this director.
Versifying a Shakespearean version of Romans.