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Schon als kleines Mädchen hat sich Sabrina unsterblich in David, den jüngsten Sohn der reichen Larabees verliebt. Doch an der Tochter des Chauffeurs war der notorische Playboy nie wirklich interessiert. Dies ändert sich allerdings schlagartig, als Sabrina nach einem längeren Aufenthalt in Paris wieder zurück auf das Anwesen nach Long Island kommt. Das einstige Mauerblümchen hat sich nun in eine selbstbewusste und strahlende Schönheit verwandelt. Und obwohl David kurz vor seiner Hochzeit steht, ist er von Sabrina schier hingerissen. Doch auch sein älterer Bruder Linus (Harrison Ford) macht mit einem Mal Sabrina heftige Avancen. Aus Liebe und Leidenschaft? Oder will der kühle Manager einfach nur Davids Hochzeit und die damit verbundene, dringend erforderliche Firmenfusion retten.
Avis de la communauté (3)
I saw this version before the one with Audrey Hepburn. And in my opinion these are 2 different films. Sabrina with Audrey is a a wonderful movie by Billy Wilder but indicative of the times. This Sabrina truly finds herself in the process and the ending is far more convincing. I love both movies fir different reasons but this one is dearest to me. Julia Ormond with her calm magical voice is stunning. Give it a shot. Sydney Pollack knew how to make movies
I've seen the original, which starred Audrey Hepburn, Humphrey Bogart, & William Holden. So it's only appropriate I'd type this as I watch this 1995 remake in 2018 on a rabbit-ear channel at 1:16 am. First of all, it's an axiom that nobody can imitate or emulate Audrey. If this film was any better I'd just say "Well at least Julia Ormond tried." However this film does seem to copy elements of the original, such as filming the unpopulated scenes of the manor in the opening & David sitting on broken glass while throwing in that "90s edginess" such as Harrison Ford shooting a big screen TV that I can say at least the director tried but wince at the latter. & as for the Ormond trying to imitate Hepburn (in which she doesn't even halfway meet the Audrey standard) or make this 1995 role of Sabrina her own, there must be a reason why I don't hear about Ormond these days (whereas Ford continues to make "Star Wars" & "Indiana Jones" movies) as the new haircut she gets in Paris kinda makes her look like a man. Hell, personally I'd like to see Rachel Weisz or Daisy Ripley star in the next "Sabrina" remake since Hollywood continues to make remakes & reboots (but mostly of TV shows rather than films for a reason). But if there is no "Sabrina" remake around the corner, blame this so-so version.
Pure romanticism in this film.