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Rund 20 Jahre ist es her, dass Andrea "Andy" Sachs und Emily Charlton als Assistentinnen der Modemagazin-Chefin Miranda Priestley unter deren teuflischer Art litten. Inzwischen haben die beiden Frauen jedoch ganz eigene Karrierwege eingeschlagen, Emily sogar überaus erfolgreich als Managerin einer Luxus-Marke, für deren Werbekampagnen unfassbar viele Dollar auf die hohe Kante gelegt werden. Von einem derartigen Budget kann Miranda Priestley derzeit jedoch nur träumen. Die Zeiten des rollenden Rubel sind für sie vorbei, denn im Internet-Zeitalter verkauft sich ihre klassisch gedruckte Zeitschrift „Runway“ immer und immer schlechter. Doch wie das Schicksal so will, kreuzen sich die Wege von Miranda, Andy und Emily nach all dieser Zeit wieder – und auch Art Director Nigel darf nicht fehlen, wenn es im New Yorker Modezirkus wieder rundgeht.
Avis de la communauté (12)
The Devil Wears Prada 2 is a nostalgia-dependent sequel. Fans of the original will enjoy seeing all these characters again, but the story is more interested in recreating familiar moments than building anything new.
A forgettable movie Lacked iconic scenes It felt forced as in why will they make it if there was no development of characters
The Devil Wears Prada 2 is a love letter to the original while managing to stand on its own - rather that riding off the laurels of the original. Right out of the gate, there is a definitive tone shift. While purists might initially miss the escapist camp of 2006, the film subtly leans into reality: these characters are 20 years older and wiser, and their priorities have fundamentally shifted. More importantly, the world around them has evolved. Watching Miranda navigate an era where her notoriously demeaning comments to staff—once met with terror and literal scatter —now result in public chastisement. This shifting cultural landscape is further highlighted by "Assistant Two," a large, decidedly not-fashion-forward male. It's a quietly-loud way of demonstrating that ideals held in the past 'all female, gorgeous and dedicated to fashion - all fitting the same cookie cutter' has opened the gates to let in outside perspectives. The plot offers a brilliant commentary on where a legacy institution like Runway fits into today's landscape. On the surface just a once legendary fashion/lifestyle publication struggling to maintain relevance; and for those paying attention one of the last bastions for showcasing the pinnacle of human ingenuity, creativity and excellence in fashion, standing in stark defiance against the rising tide of AI and world that prioritizes shareholder value. That being said, the film isn't afraid to take a stance, delivering strong messaging against a society driven by an insatiable appetite for growth and profit maximization, heedless of what happens when the well of resources inevitably dries up. While some critics might argue this socio-economic critique is a heavy burden for a fashion dramedy, I think it perfectly grounds the stakes for a modern audience. Unsurprisingly, the cast delivers all-around exceptional performances, but they are heavily supported by the undeniable care shown by the writers. Rather than forcing a neatly tied, fairytale bow on the story, each character earns what I believe to be satisfying (in some cases bittersweet) conclusion. They all end up getting what they wanted—or, more accurately, what they needed. In summation, The Devil Wears Prada 2 proves that true style, much like a good story, never fades. It just matures. That's all. Bonus Bit: Loved the juxtaposition between Miranda and Andy. Showing the stark difference in how they treat their assistants. A nice nod to breaking vicious habits and mentality that persist into the future. cycles of workplace .
the mother, the daughter, and the house of Tucci.